Sam Sukendro
During the COVID-19 pandemic, people were stuck in their homes out of fear of the virus. People began romanticizing a life that could have been, and thus, more people discovered a subculture of the internet called dark academia. Donna Tartt’s The Secret History is the cornerstone of dark academia. It tells the story of Richard Papen from Plano, California, who romanticizes a classic and elegant life and feels a lack of belonging to his home. Richard begins to experience his picture-perfect lifestyle when he visits Francis’ house in the countryside. However, throughout the first half of the novel, Richard’s idolization of his classmates’ lifestyle pushes him deeper into a state of loneliness and social isolation. Francis’ house is a pivotal developmental point for Richard as it symbolizes his journey in chasing the picturesque life that he had always dreamed of.
Richard’s role as the narrator creates an interesting perspective by which the story is told. Being an unreliable narrator, it becomes obvious to readers that his romanticized longing for a lavish lifestyle is the core reasoning behind his feelings as an outcast. When he moves to Hampden, he creates a new persona, a rich, intellectual student from California to fit in. Ironically, this new persona forces him to be exclusive to a group of elitists. When Richard visits Francis’ house in the countryside, he describes Francis’ house as an “ink black silhouette against the sky” (Tartt 81). The connotation of the preposition “against” is typically interpreted as meaning in resistance to something. Richard believes that the socially isolated lifestyle the group leads opposes the norm of a mundane society. The desperation to try to be a part of a group of elitists makes Richard fall into his own trap of social isolation. He separates himself from the rest of the school: he separates himself internally from the group by playing a persona. Richard’s idolization of the group’s image prevents him from fitting in anywhere.
Francis’ house serves a pivotal role in foreshadowing the climax of the novel. When Richard arrived at the house, his “fingers finally closed on the door handle, and only then, as [he] was climbing out of the car, the moon came out from behind a cloud, and [he] saw the house” (Tartt 81). His over-descriptive narration with the use of polysyndeton gives a sequential description. Yet the prolific amount of conjunctions slows down the rhythm of the sentence, building suspense and setting an eerie mood. This description, followed by a very short declarative sentence, “It was tremendous” (81), completely silences the flow of his narration. This abrupt silence emulates the idea of a drastic and sudden end, foreshadowing the death of Bunny. His narration shows how important Francis’ house is to him. Francis’ house symbolizes how Richard’s pursuit for a materialistic lifestyle will consume him. By forging relationships with a materialistic intent, his relationships serve as transactions; Richard gains the experience of the upper class, and the group gains a naive scapegoat that they can use to their advantage. The house grooms him into feeling a false sense of security with the group. His idolization for what the house stands for prevents him from entering the group. Interestingly, he points out the widow’s walk when describing the house. Historically, the name is said to come from the wives of mariners who would sit and wait in hopes that their spouses would return. This wish to return to a blissful time foreshadows the coming of the climax in future chapters as Richard’s exclusion becomes more apparent.
As Richard continues to spend more time with Julian’s clique, his longing to fit in with them will continue to eat away at his mentality. The more time he spends with them, the deeper he must commit to the deceiving persona that he has created. Even if Richard manages to get away with his lie, the truth of knowing he does not lead the same life they do will push him further and further into loneliness. Richard’s actions show readers how an inequitable society deceives people into believing they long for a life of luxury. A constant pursuit of the materialistic will only end in loneliness and regret.