female director – English 1102: Television and Feminism

Broad City is a show known for its absurd sense of humor that plays well with its demographic of millennial viewers. But with this off-brand sense of humor, the show tends to not cover critical current events that happen around us. That changed when the fifth episode of Season 3, titled “2016,” aired in early 2016.

While Broad City is not usually known as a deep show that tackles current issues on a large scale, the creators Abbi Jacobson and Ilana Glazer decided to chime in by creating an episode based on the 2016 election. This episode is pivotal for the show, not only for its cameo appearance of Hillary Clinton herself, but also because it signifies a tremendous shift of the tone and mood from what the show initially conveyed.

Hillary Clinton’s cameo appearance on Broad City

In “2016,” Ilana stumbles upon the HRC headquarters in New York when she picks up a job being a bike messenger. Ilana adores powerful feminist icons, and she holds Hillary Clinton to an almost deity-like stature, so she decides to quit and volunteer for the campaign. At the end of the episode, Hillary Clinton walks into the room to meet the girls, and Abbi and Ilana, for the lack of better words, lose their shit.

After this episode aired, there were speculations as to why Hillary chose this show to cameo on, but it does bring up a point that relates to Broad City’s unique demographic of young, female viewers. Maybe her cameo was to boost her exposure and likability among young voters, but maybe this appearance was a way for the creators to show their support for her campaign in the upcoming election. Besides the speculation, “2016” was a pivotal episode for the show, but it was not entirely intentional.

Many did not see Hillary losing the election, especially Abbi and Ilana, so when the show came back for a fourth season, Abbi’s and Ilana’s characters surprisingly matured from their pasts of being absurd yet optimistic about the future. This maturity and part-of-the-resistance tone is evident throughout the fourth season, especially in the second and eighth episodes. The second episode of Season 4 opens with Abbi and Ilana wearing the pink Women’s March hats as they guide women through protests to the Planned Parenthood clinic. The eighth episode has Ilana seeing a sex therapist because she cannot have sex ever since Trump became president.

Abbi and Ilana escorting women to Planned Parenthood

Ilana going to sex therapy

These examples highlight the hysteria around the 2016 election, and the results have created a polarized atmosphere where the young people are increasingly resisting and opposing the current administration. Therefore, it is key to note that Broad City has taken a step back from their comedic absurdity in order to shed light on the atmosphere of the country after the election, especially for their demographic of millennial viewers. The show as a result has become a beacon for the millennial psyche of resistance, which makes Abbi’s and Ilana’s characters much more relatable, real, and funnier than before.

After watching the first season of Broad City, the episode that stands out the most for me in terms of its visual design is the eighth episode of season 1, titled “Destination: Wedding.” Right from the beginning, the episode opens with a long sequence of Abbi, Ilana, and some friends frantically running in formal wear down a New York street, late for Abbi’s friend’s wedding in Bridgeport, CT. The opening scene continues in one uninterrupted take, and the camera frames Abbi’s and Ilana’s exhausted faces with the skyscrapers of the city. Broad City usually employs long scenes in each episode because the scene flows more naturally, so the opening scene naturally sets the storyline, and we are drawn in with curiosity to see if the group will reach their destination. It is like we as the viewers are running alongside Abbi and Ilana, making the situation more personal even if we are not physically with them.

Opening scene of “Destination: Wedding”

Another example of these natural long takes occurs within the same episode when Abbi and Ilana board a sketchy bus to Bridgeport. Although Abbi is initially relieved to be on the bus, her relief fades as she observes sick passengers, live animals on the loose, and a tank of frozen fish. The camera takes the place of Abbi’s eyes as the viewer sees the monstrosities on the bus. This perspective camera movement is used in this episode because it elevates the comedy of Abbi’s disbelief without the necessity for dialogue. Instead of hearing Abbi bicker, we as viewers can see what she sees, and subsequently understand her disgust for being on the bus. Therefore, the inclusion of long takes in Broad City, especially in episode 8, helps to make a more natural, flowing, and comfortable scene where the viewers can easily recognize the humor and emotions of Abbi’s and Ilana’s characters.

While Broad City utilizes long, uninterrupted scenes to elevate its humor, the show also uses light to solidify the realistic nature of their situation. In episode 8, the opening scene and the bus scene are normally lit with daylight, implying a passage of time as well as a tone of familiarity with the situation. Abbi and Ilana are late to a friend’s wedding, a very relatable situation to most young people. Also, the color scheme of the show does not pop with certain colors to signify a certain mood. The colors of each scene are relatively neutral, even Abbi’s and Ilana’s dresses in episode 8, because the show is trying to make the lives of these women mimic reality, along with added humor and craziness.

Overall, Broad City has a visual design that plays into the understated yet wacky comedic situations of its two protagonists, Abbi Abrams and Ilana Wexler. Whether they are late for a wedding or having a seriously improvised conversation, the cinematography and direction of each scene exude the natural, realistic atmosphere of these two women’s lives.

Broad City title card

English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: female director

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