English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: Jane Sloan

Jane Sloan in The Bold Type: What?

From questions about sexuality, in-office hookups, missing $5,000 pieces jewelry in cabs, fashion shows, and very forward conversations about female anatomy, The Bold Type seems to have everything that a young millennial audience could wish for in a Freeform show. The show has gained much popularity due to its classic storytelling of three young female best friends who live and work together at the Cosmopolitan spinoff magazine Scarlet.

It is true that The Bold Type escapes television’s “norm” of conversation topics; however, it seems to have failed at representing certain aspects in the women’s jobs. Don’t get me wrong, in a Freeform show, you would expect everything to work out for the protagonists and their careers… but with it being such a forward show, you would also probably expect some more relatable struggles for the characters.

And then there’s Jane.

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Can you say yikes?

She’s a writer at Scarlet whose job was to produce articles that ranged from female doctors to rape victims to the BRCA gene for cancer development. Respectable. However, during the writing of these articles, her character experienced no problems with the actual process of writing such delicate stories (Syme).

She is always met with the supportive guidance of her editor, Jacqueline, and always is successful in her deliverance of a popular article. Even during her short unemployment stint in Season 2, her most notable struggle was simply making a barista mad by only ordering a mini biscotti at a coffee shop.

Jane makes constant comments that seem to propagate from a lack of political awareness, markedly. At one point, she matter-of-factly explains to Kat and Sutton that “Judaism is more of a lifestyle choice in New York.” Question mark?

Anyways, it’s not quite clear as to what moral comes from the character of Jane throughout the two seasons. While Kat and Sutton respectively struggle with a homosexual relationship and nonstop errands in the fashion department, Jane is met with a lack of character development and career struggles.

As the other women are met with rewards from their hard work and success in the workplace, Jane leaves her job, finds another one, gets fired from that, goes unemployed, receives an award for her writing, and then is rehired at Scarlet. Her “struggles” effectively disappear into thin air, and she is happily back with her two best friends in the end. Big whoop.

 

Works Cited

Syme, Rachel. “The Tough Issue The Bold Type Won’t Tackle.” The New Republic, 31 July 2018. https://newrepublic.com/article/150293/tough-issue-bold-type-wont-tackle-season-2-review, Accessed 13 November 2018.

‘The Bold Type’ Changes Its Colors in for a More Somber Hue

During the binge-worthy first season of The Bold Type, the audience is constantly provided with an array of color and various objects in the background of the show’s predominant scenes. Light pastels and trendy patterns always seem to be floating around behind the characters’ faces and in their wardrobes. The show is filled with natural light and warm tones, and these entities add both interest and comfort while watching the show.

 

However, in “The Breast Issue”, the sixth episode of the series’s first season, this story changes. For example, Jane’s usual peppy, colorful-yet-professional outfits have been replaced by an all-black ensemble for this episode. This episode features more artificially-lit spaces, and there are definitely more struggles and personal issues presented across the board in this episode than in comparison to others.

 

In this episode, Jane has been assigned to write an article about a female health professional who is adamant about performing breast cancer-related tests on women at very early ages. The audience later learns that Jane lost her mother to breast cancer, and this provides an uneasy feeling as the episode progresses.

 

Flash forward, and Jane interviews the doctor in her office for the article. Careful observation of this scene gives a feeling different than in other episodes. The doctor’s office is a bland, off-brown color. This is a stark contrast to the abundance of color seen in the Scarlet headquarters building, a popular setting in the show. This purposeful occurrence changes the happy-go-lucky theme of the show, and the sheer importance of this scene is established by the lack of natural light. A cold manner is observed in the ambience of the room in which Jane and the doctor sit, and a coldness is equally seen in the women’s interaction.

 

On the other hand, the actual mechanics of the show change in this episode. This being a show about female empowerment and all, there is definitely enough extended shots to go around. However, in this episode especially, there comes a point where Jane loudly expresses her opinions to her boss. As the screen focuses on Jane, the manner in which she gets more and more upset as she cries builds upon the suspense that the shot places on her. This suspense is equally augmenting for the other characters as they come across struggles within this episode — Kat knows that she must fire a worker, and Sutton realizes that she misplaced a $5,000 necklace in a cab. The screen’s intentional, extended focus on the women in the midst of their struggles and fear connects the audience to their feelings and struggles throughout the episode.

 

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A drearily colored Jane apologizes to her boss after yelling at her in front of the rest of the company.

 

As compared to the previous episodes in the show, one ultimately sees that the unusually lengthy shots of the characters and their altered presentations through darker color schemes set this episode apart from the others in terms of importance and ominousness. But hey, of course, the girls resolve their issues as always, and we’re still on the hook for watching the next episode.

The Bold Type: A Much-Needed Update to TV’s Outlook on Intimacy

Truthfully, The Bold Type is exactly what its title pokes at… B-O-L-D. Throughout the show, characters’ comments and voiced opinions are not necessarily what you would expect to hear while casually watching Hulu. Today we take a look at the show’s second episode; one that, to be frank, is chock-full of insight and social awareness.

Going into “O Hell No”, the viewer can automatically catch the episode’s subject before it even begins. Look out preconceived notions about women and intimacy, you’re in for a rude awakening.

The episode takes a general focus on the struggles of Jane, one of the show’s three main female leads. She has recently been promoted as a writer for Scarlet, a magazine whose nature can be inferred from its name. Jane has been assigned to write a sex column; however, she is not experienced with the subject matter and feels discomfort with the editor’s choice of topic.¹ This sets the basis of the show’s argument for social awareness of women’s sexual and emotional wellbeing. Several instances in the plot push the show’s message: everything and nothing should be accepted when it comes to conversations about intimacy.

As the storyline progresses, Jane receives some minor backlash from her friends and colleagues as she asks for advice on how to personalize her article when she is in actuality not connected to it at all. She even ventures out to see a sex therapist, and she attempts to become comfortable with the idea of intimate experiences. Eventually, she decides that the pressure of whatever “idea” that women should experience during their youth is too much to handle. She hesitantly writes her article — under anonymity, mind you — and she is visibly ashamed to have not been able to relate to the topic of the article.

Later, after some dramatic background music and heavy contemplation on Jane’s part, she confidently adds her name to the article before turning it in to her editor. This moment, arguably the most important five seconds of the entire episode, is a slap in the face to sexualized stereotypes in society. Jane is no longer ashamed to admit that she hasn’t had certain experiences, and in fact, she admits it to the magazine’s millions of readers. Bold move, yes? (I couldn’t help it.)

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Jane from ‘The Bold Type’

This instance more or less establishes the backbone of The Bold Type. Small actions like putting one’s name on an article that deals with a lack of sexual experience form the argument of the show in general. The audience is taught that awareness and acceptance of all people are absolutely crucial. Through empowering its female characters, it demonstrates the acceptance of life’s circumstances, twists, and turns. Life is life is life is life. Why try to hide or be ashamed of one’s truth? The show’s push towards awareness for women’s health is most definitely a conversation starter on- and off-screen.²

Someone try ‘n stop it from changing viewers’ mentalities for the better. Good luck if you do.

 

 

Works Cited

¹Framke, Caroline. “The Bold Type, A Smart New Show About the Makings of a Women’s Magazine, Is a Total Delight.” Vox, 16 July 2017, https://www.vox.com/culture/2017/7/16/15973678/the-bold-type-freeform-review. Accessed 9 September 2018.

 ²Kaplan, Ilana. “How The Bold Type Is Changing the Conversation Around Sex and Sexuality on TV.” The Hollywood Reporter, 24 July 2018, https://www.hollywoodreporter.com/live-feed/how-bold-type-is-changing-conversation-around-sex-sexuality-tv-1129016. Accessed 9 September 2018.

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