English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: Nick

Talk the talk

Let me start by saying I can’t believe this is my last blog post.  This semester has flown by quicker than I could have ever imagined.

In today’s blog I’m going to discuss something that always interests me in television (and all types of writing): the manipulation of dialogue/dialect.  I’m going to look at the different ways the characters on the show talk and how that impacts what the writers are trying to say about each character.  Let’s start with Schmidt.

One thing I have noticed about Schmidt’s dialogue is that when he talks to talks continuously.  In the most recent episode, when he is running from the shower to his room he stammers “Nobody look.  Nobody look, yo.  Nobody look.  Seriously, no body is looking?”  This line makes it very obvious that Schmidt is super needy and always looking for attention.  I believe that’s why the authors always have him talking and yelling, ALOT, they’re making his (attention hungry) personality evident.

Nick is actually very different from Schmidt in this regard.  When Nick talks he somewhat rambles and trails off in his sentences.  What he says is usually pretty witty but it happens just fast enough for the audience to recognize it as funny but not long enough to gain attention.  For example, when Julia wants to go to his room he quickly says “Julia is about to be very disappointed.”  This line is witty and funny but the other characters brush it off and so does the audience.  I think this is done by the authors to shape Nick’s persona, funny but unnoticed.

Finally, let’s talk about Jess.  Anyone who has watched the show for more than 5 minutes will know that Jess speaks in a very high pitched voice and often does her own weird sing songy voices.  For example, when sitting in court Jess starts saying random lawyer jargon in her sophisticated voice.  I think the reason the author sets Jess up with this high pitched soft voice is because Jess really is a nice person but also because her voice can sound child like and a lot of the time in the show she comes across and innocent and naive, like a child.  The reason she uses so many impersonations is because most of the time she has a hard time expressing her emotions, like the awkward courtroom scene, so she resorts to her own humor.

I love how these different dialogues all fit together so seamlessly to create a well flowing show but they also have specific purposes to guide the audience to a specific idea.

Clever writing and great characters, ingredients for an amazing show.

 

 

New Girl: Seriously Awkward Silence

New Girl is a show that thrives on awkwardness (as anyone who has read my previous posts knows I love). The show will often build up to dramatic moments of silence where the air becomes stiff and viewers are left thinking how they would respond in such a situation. The genius of New Girl is how this awkward silence is broken by the ridiculousness of the characters’ actions. This is used perfectly in the finale of New Girl, Elaine’s Big Day, during [Spoiler] Cece’s failed marriage, while Jess and Nick’s dysfunctional relationship is falling apart.

Silence can be used in a comedy as a way of changing the mood of the scene to be serious and awkward. This focuses the audience on the careful words or actions of the characters, allowing for the crafting of serious moments in an otherwise light-hearted show. In Se2Ep25, Jess and Nick are in conflict due to their relationship. In a mere 20 minutes, the two begin by having an adorable relationship, which quickly falls right apart and is built immediately back up in 5 minutes without any unbelievable leaps of logic: all thanks to the writer’s use of silence in a particular scene.

Specifically, Jess and Nick are discussing how their relationship is clearly not functioning, and Nick decides to break it off, informing Jess that it was never going to be anything serious anyway and that they should just end it. This strong emotional shock to an otherwise fun show is left in several seconds of silence, where the audience is recoiling from the shock that Jess must be going through. The silence is used to display the thoughts going through Jess’ head as she is being broken up with, being told that her relationship was never meant to be serious in the first place.

Se2Ep25 Some awkward silence

This episode uses silence perfectly at this moment to display a serious moment, where Jess’ emotional struggles are in plain view as there is no comedy to cover it. It then does nothing to break the tension of this silence. Rather than saying something, Jess just awkwardly nods and walks away, leaving Nick in silence as he and the audience must think about the consequences of the episode.

New Girl usually uses silence to indicate a more serious moment, but ultimately breaks it with some awkward comedic moment, such as later in the episode when Schmidt is presented with two girls who love him and ask him to choose, he just stands in silence and after a moment starts running off, breaking silence with comedy. However, in the case of Jess and Nick, the silence is never broken. It is left perpetually as Jess just walks away from Nick. In a comedic show, the silence was written in to create a serious moment that leaves the audience in a real feeling of tension and regret for Nick.

New Girl: Ruining Relationships

New Girl is a show that revolves around the concept of one woman living with 3 men without anything sexual between them, creating an awkward (but hilarious) relationship in which quirks of each sex gets compared mockingly to the other. There was a healthy dynamic between the characters that worked.  However, the writers of New Girl had Jess and Nick kiss in Season 2 Episode 15, Cooler. This may seem romantic, and in the short-term, it adds to the awkward dynamic of New Girl as Nick and Jess try to hide it and move on. Unfortunately, longer-term messes with the dynamic of the characters.

The Kiss that ruined it all Se2Ep15

In a show, movie, cartoon… Whatever… adding a romantic interest between the emotional centre and the more unconventional and independent but favoured character is common. In a classic 5-man band seen in most modern media, this is especially common. Creating a passion between 2 characters that have a spark adds a narrative as their relationship is expanded and explored. However, this does not work as well in New Girl since the entirety of Season and most of Season 2 (yes, even after the kiss) is centred around the tribulations of the relationships of the loft-mates. This does not work as well if two of the loft mates are in a relationship with each other by the end of Season 2.

While I’m waiting for a gif to process, here’s an opinionated description of this plot development. There’s a plot issue. Jess originally joined the loft because she left her ex-boyfriend’s house when he cheated on her. While Jess and Nick as characters are describable as being rather irrational, there’s no logic in the two characters beginning a relationship when they already live together, as this should only lead to Jess having another break-up and having to find another place to live (poor… poor Cece).

Continuing the relationship conundrum: while I watched the show, my favourite part was guessing the characters’ next blunder in relationships. When it seemed that Winston had a stable relationship in season 2, it fell apart. I thought it was a good relationship arc that returned Winston to his original state of Single. Another example of a relationship that completes itself is Cece getting married to… Not Schmidt. The antics in Schmidt’s and Cece’s relationship drove an entire hilarious subplot for much of season 2, and watching Schmidt strive and fail to get Cece back later was hilarious. However, New Girl ended this when Cece was to get married, ending the entire, funny exchange.

Completing a relationship in a show can create an interesting new dynamic. In many cases, the show was teasing the relationship during most of its run, in which case the audience may be excited for the sudden appeasement of their shipping. But in a show like New Girl, which relies on the fact that the characters are individually facing problems that they need each other to solve, putting main characters like Jess and Nick together just bothers the dynamic.

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