English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: #romance

The Most Imperfect Romantic Comedy

Something that really resonated with me within our discussion of Jane the Virgin was the idea of the romantic comedy and how it defines the show, creates and alienates an audience, and sets the entire tone of the show. This applies strongly to The Mindy Project where the entire show is centered around Mindy’s search for love and (in her eyes) the perfect life. In the season two finale, “Mindy and Danny”, she finally gets her true love in, as the title suggests, the form of Danny. In true comedic fashion their journey towards each other was hilarious, complete with montages of Mindy crawling up stairs and Danny getting hit by a taxi. And in true romantic fashion, Mindy gets her happily ever after, on top of the Empire State building à la every classic New York romantic movie, even if she is too exhausted from climbing the stairs to stand. She has the perfect partner, great friends, and a wonderful job. Mindy has it all.

Mindy and Danny having their romantic moment on top of the Empire State Building.

This is the cornerstone of the rom-com genre: through trials and tribulations on a journey of self-discovery, it generally (but, as we learned in Jane the Virgin, not always) ends with the women “having it all”. This idealistic idea includes the women being a perfect mother, wife, worker, friend, daughter, and a host of other roles. And while it’s the goal for some, it rarely works without a hitch in real life. This is where The Mindy Project comes in: it’s the imperfect rom-com. Mindy’s an unlikely hero, and even during her perfect ending Danny quips about her becoming a stay-at-home mother, even through her job and her professional ambitions are vital to her sense of self. The show does something unlikely in demonstrating that the heavily anticipated relationship is not perfect, or anywhere relatively close to it. For most stereotypical rom-com heroines, once they find their partner, they abandon their job to focus on working in the home. And it is a completely respectable choice; however, it is not the choice for Mindy.

That what I love about the show: for better or for worse, it demonstrates an unapologetic amount of honesty and candor. As a subset of the rom-com genre, it’s more representative, shows more relationship failures, and genuinely doesn’t shy away from the issues surrounding the modern romance. Mindy is not your classic heroine, in more ways than one, and she doesn’t try to become something that she isn’t. This show flipped the entire genre and its subsequent expectations on their head and completely revamped them. Real life is not like the romance movies and getting more shows with more accurate representations and expectations is vital. The Mindy Project does just that.

The Musical Writing of The Mindy Project

Masterfully weaving together elements of comedy and romance without being overtly cliché is a difficult feat. Thankfully, The Mindy Project is stocked with witty, creative writers who are unafraid of leaning into classically complicated tropes to make them fresh and original. One clear example is the season one finale episode “Take Me with You” written by Mindy Kaling and Jeremy Bronson. Both writer’s careers are littered with household names – Mindy from The Office, an off-Broadway play Matt & Ben, and a host of stand-up comedy tours, and Jeremy from Late Night with Jimmy Fallon, Grandfathered, and Speechless. Outside of television, both wrote for their respective college newspapers (The Dartmouth Jack-O-Lantern and the Harvard Lampoon) and Mindy has written two bestselling memoirs.

The fast pace nature of the show is what allows it to follow rom-com tropes without feeling overdone or boring. Specifically, Mindy is shown trying to seem “outdoorsy” on a camping trip to prove she is ready to move to Haiti with her boyfriend. The writing here uses the tent to demonstrate Mindy feeling trapped in her current relationship. The dialogue is quick to respond to the events bothering Mindy – before she is finished politely explaining why the lack of space is suffocating, the next irritation is already executed.

With most of the show’s dialogue being conversational, the lack of dialogue in scenes are notable. However, while there are periods of time when no one is speaking, there is never pure silence. Pivotal moments are emphasized with no dialogue, only music. This was used three times in the season finale. The first moment was Mindy alone, eating cake, overlaid with soft classical music. This returns to the main theme of the show – life will never work flawlessly, even when it externally looks perfect. She seems to have everything – the handsome boyfriend and a strong career, but she still retreats to be alone. This establishes Mindy as the heroine we know and love, as she wants her life to be like a romance novel but is never satisfied with the happily ever after.

The second musical interlude was upbeat pop and a montage of the doctors going into surgery. This reestablishes Mindy as a formidable doctor: while her personal life is reflective of the middle chapter struggle of a romance novel, she is excellent at her job.

Finally, there was the classic running through the streets to profess love trope, this time with music of increasing intensity. Here Mindy reveals she cut her hair off and is ready to change her life and move to Haiti. This scene had the potential to be cliché, but due to the comedy weaved throughout – her unsuccessful first attempts to reach her love and the clothes hangers chucked out the window at Mindy – it felt new. That is what is special about the writing here, the bones of the premise, theme, and scenes are all overdone, but the writing is so original and surprising that it allows everything to flow together perfectly.

Mindy unveiling her new short haircut to Danny.

Works Cited

“Mindy Kaling.” Wikipedia, Wikimedia Foundation, 2 Oct. 2018, en.wikipedia.org/wiki/Mindy_Kaling.

“Jeremy Bronson.” Wikipedia, Wikimedia Foundation, 2 Sept. 2018, en.wikipedia.org/wiki/Jeremy_Bronson.

The Confrontational and Disheartening Nature of Birthdays

Throughout my short tenure at college I’ve discovered one main lesson: being an adult is hard. This is also the lesson that Mindy discovers in the episode “Mindy’s Birthday”. This episode centers around her birthday, but being in her thirties, she is disillusioned with the party her friends decide to throw for her: a glitzy, public bash complete with presents that teach cooking for one and an elliptical. As people grow other, birthdays are no longer what they were when they were kids. Birthdays, events designed to be celebrations of life allow people to become disappointed in the events of their lives. It’s generally a time for people to come to term with the shortcomings of their own lives, as birthdays are milestones that can pass without certain moments of success. For Mindy, this is most evidenced by her lack of a relationship. Thus, the argument here is that birthdays force adults to evaluate their life choices, many times in a harsher way than reality.

The episode demonstrates the introspective, sometimes disheartening nature of birthdays by a series of bad choices made by Mindy. After confronting her lack of romantic relationship, she abandons her friends and coworkers to drink alone at a bar. This leads her to make a group of superficial friends before wandering NYC with her belligerent office assistant. Mindy became transfixed on what her ideal life should be in her mid-thirties, and when she realized she hadn’t achieved it, she ran away. She forgot to be appreciative for the wonderful things she already had in her life – her friends.

This ties back to the larger theme evident throughout the entire show – life is not a fairytale romance. Life is messy, difficult, not always enjoyable, and it certainly will not go perfectly. Mindy is an eternal optimist – she has high expectations and she really, truly believes she can achieve everything she wants. At the times when things don’t go perfectly, she breaks down. The show is technically considered a romantic comedy, and as such, Mindy strives for the same ideals perpetrated throughout the genre: to be happily married, have a successful career, and be perfectly content. She has achieved much of this, but she is still missing a crucial (in her opinion) piece – the relationship. This relates to the crushing expectations placed on women by society – they must be perfect and achieve milestones by specific times in life. As each birthday passes, Mindy feels herself drifting away from cultural perfection. However, as she discovers at the end of the episode, she has enough in her life to be happy. Even though she isn’t at the picture-perfect place in her life, life will always be chaotic, and people have to learn to leave their expectations and plans behind and just live life to the fullest with what they have.

Mindy’s least favorite birthday present of the night – Microwave Cooking for One

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