English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: The Mindy Project

Quick Cuts, Chaos, and Colors

The Mindy Project remains steadfast in its exploration of the idea that life is messy, complicated, and not always fun. This is reflected in the rom-com genre itself, the music, the dialogue, and the cinematography. In general, the show is bright, chaotic, and complicated – the way in which the show is shot reflects this.

A notable example of this is in the season 2 episode “Music Festival”. The show relies on dramatic events as crucial plot points, and this episode is no different. The first scene involves a pastor declaring that he’s becoming a DJ. This declaration is coupled with a vast array of camera shots and angles. There’s the wide, sweeping shot of the church, the camera moving to follow the pastor down the aisle, close ups on Mindy and the pastor, shots of the audience, and ever-changing angles. These shots are pieced together quickly, rarely lasting more than a couple seconds. This scene was focused on dialogue, not actions, so most of the shots focus on the people talking and shift rapidly to match the quick nature of the conversations.

However, even in scenes not dialogue driven the nature of the cinematography remains the same. The name of the game is creating chaos in the background and placing the central action or characters in the front. At the musical festival, the backdrop is insane: people everywhere, bright colors, balloons, hoops, and things flying everywhere. Even still, the main characters remain in the center of all the shots, which allows the focus of the audience to stay on them. This usage of quick cuts relates strongly to the theme of the show – life’s chaos.

Mindy experiencing the chaos at her first music festival.

Similarly, the color scheme of the show is bright. Mindy herself is never seen in outfits of less than three contrasting colors, and all the background walls range from white to pale pastels. There is no absence of color, and the brightness allows everything to be seen plainly and clearly. This demonstrates the honestly the show is bringing, it doesn’t shy away or attempt to hide from the realities of life. It also relates to the fact that the show is a comedy, the brightness keeps the comedic nature of the show, even when the conversations or topics are difficult.

However, when the show opts to use muted colors and long shots, it’s a stark change of pace. This occurs when Mindy breaks up with her boyfriend. The only two camera angles are focused on the two characters, the shots are longer, the backgrounds are bare, and the colors are subdued. This creates two clear distinctions in the show: the time for fun and the time for serious matters. The show attempts to walk a fine line of being a funny rom-com, and still accurately reflecting the parts of life that are not enjoyable. The differences in cinematography allows the audience to understand when these tonal shifts will occur.

The Musical Writing of The Mindy Project

Masterfully weaving together elements of comedy and romance without being overtly cliché is a difficult feat. Thankfully, The Mindy Project is stocked with witty, creative writers who are unafraid of leaning into classically complicated tropes to make them fresh and original. One clear example is the season one finale episode “Take Me with You” written by Mindy Kaling and Jeremy Bronson. Both writer’s careers are littered with household names – Mindy from The Office, an off-Broadway play Matt & Ben, and a host of stand-up comedy tours, and Jeremy from Late Night with Jimmy Fallon, Grandfathered, and Speechless. Outside of television, both wrote for their respective college newspapers (The Dartmouth Jack-O-Lantern and the Harvard Lampoon) and Mindy has written two bestselling memoirs.

The fast pace nature of the show is what allows it to follow rom-com tropes without feeling overdone or boring. Specifically, Mindy is shown trying to seem “outdoorsy” on a camping trip to prove she is ready to move to Haiti with her boyfriend. The writing here uses the tent to demonstrate Mindy feeling trapped in her current relationship. The dialogue is quick to respond to the events bothering Mindy – before she is finished politely explaining why the lack of space is suffocating, the next irritation is already executed.

With most of the show’s dialogue being conversational, the lack of dialogue in scenes are notable. However, while there are periods of time when no one is speaking, there is never pure silence. Pivotal moments are emphasized with no dialogue, only music. This was used three times in the season finale. The first moment was Mindy alone, eating cake, overlaid with soft classical music. This returns to the main theme of the show – life will never work flawlessly, even when it externally looks perfect. She seems to have everything – the handsome boyfriend and a strong career, but she still retreats to be alone. This establishes Mindy as the heroine we know and love, as she wants her life to be like a romance novel but is never satisfied with the happily ever after.

The second musical interlude was upbeat pop and a montage of the doctors going into surgery. This reestablishes Mindy as a formidable doctor: while her personal life is reflective of the middle chapter struggle of a romance novel, she is excellent at her job.

Finally, there was the classic running through the streets to profess love trope, this time with music of increasing intensity. Here Mindy reveals she cut her hair off and is ready to change her life and move to Haiti. This scene had the potential to be cliché, but due to the comedy weaved throughout – her unsuccessful first attempts to reach her love and the clothes hangers chucked out the window at Mindy – it felt new. That is what is special about the writing here, the bones of the premise, theme, and scenes are all overdone, but the writing is so original and surprising that it allows everything to flow together perfectly.

Mindy unveiling her new short haircut to Danny.

Works Cited

“Mindy Kaling.” Wikipedia, Wikimedia Foundation, 2 Oct. 2018, en.wikipedia.org/wiki/Mindy_Kaling.

“Jeremy Bronson.” Wikipedia, Wikimedia Foundation, 2 Sept. 2018, en.wikipedia.org/wiki/Jeremy_Bronson.

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