#georgiatech – English 1102: Television and Feminism

On October 16, 2018

In Review Topic 4

Broad City’s general brand of humor deals with the relatable yet wacky incidences of daily millennial life, and Abbi and Ilana are perfect portrayals of twenty-somethings trying to get ahead in life. While this brand of comedy accords with the general millennial, season four of Broad City takes a slight turn from wacky to mature. In episode 3 of season 4, titled “Just the Tips,” Abbi’s and Ilana’s characters progress from an innocent, early-20’s mindset to a more mature, late-20’s mindset.

“Just the Tips” reflects the general theme of season 4 in that Abbi and Ilana are not the same wacky, young semi-adults that they once were in earlier seasons. They are maturing into adult women, and they start to attain a sense of stability and maturity that is unlike themselves in earlier seasons. While there still is plenty of craziness that goes on, the protagonists are evidently growing up, and this episode reflects how in real life, people grow up, and they start to make more stable, mature decisions for themselves.

Season 4 of Broad City, spoofing Beyonce’s “Formation”

In this episode, Ilana is enjoying the fruits of her new high-paying waitress job as she is able to afford daily things that were otherwise luxuries, such as a king-size bed. Abbi, interning at a graphic design firm, is coming to terms with her complicated relationship with Trey, her former boss, and she starts to realize that sex-only flings are not important anymore. While at a party, Abbi and Ilana confront these new lifestyle changes as Abbi is forced to think about her relationship while Ilana is forced to confront Lincoln, her former friends with benefits. Abbi realizes that she needs to invest more time in her well being, and Ilana moves on from the pain of leaving Lincoln as she talks with him face-to-face. Ilana even tells Lincoln that “I[Ilana] am much more mature than when you last saw me.” Both Abbi and Ilana acknowledge what they want, and they start to think for themselves as adults rather than young, innocent millennials. They face their past conflicts head on, and they do not shy away from improving their lives as adults in New York City.

Ilana enjoying her new disposable income

The theme of maturity and growing up in “Just the Tips” relates to the course of Broad City overall because the shift from the earlier seasons to season 4 resembles what happens in real life to most young people. In the earlier seasons, Abbi and Ilana are working dead-end jobs, and they engage in risky endeavors to unsuccessfully better their lives. However, in season 4, Abbi and Ilana are working at stable, worthwhile jobs, and they feel much more content. While there is still plenty of absurdity, Abbi and Ilana are clearly maturing into better versions of themselves. In the end, Broad City takes a more progressing turn as Abbi and Ilana “move on up” in their respective lives.

Ilana and Abbi leaving the party in “Just the Tips”

The many views from Portland: diversity in cinematography and what it conveys about Portlandia

By Adam Lederer

On September 25, 2018

In Review Topic 3

Good ol’ fashioned patriotism at Portlandia’s “Allergy Pride” parade

Being a show made up of numerous bits that say something different about life in Portland, Portlandia must be analyzed for its individual stories rather than as an episode in its entirety. This remains true for cinematography, as different stories throughout the episode require a different means of expression since they are trying to convey different things. As such, I will analyze the cinematography in Season 2, Episode 2, but I’m going to focus specifically on two bits within the episode: one at Portland’s fictional “Allergy Pride” parade, and one where Brownstein and Armisen’s characters become addicted to Battlestar Galactica.

The opening scene of the episode occurs at an “Allergy Pride” parade in Portland, where Brownstein and Armisen are announcers for the event. As is shown in the image above, the scene is shot to look like a patriotic setting with red, white and blue in the background. The camera also slightly points up at the two announcers, indicating their authority in the scene. There are relatively short takes, going between the commentary by the announcers and visuals of what is going on. The quick shots point to the chaos and absurdity of the event, as many people walk by with posters like “tolerate the lactose intolerant.” This scene is very well lit, as the goal is to make it look like an official event rather than something in an informal setting.

Conversely, a scene later in this episode shows Brownstein and Armisen’s characters procrastinating many duties as they waste away a week of their lives by watching every episode of Battlestar Galactica. The cinematography of this scene is noticeably different, namely because it is trying to convey a different theme to the viewer at home. Whereas the first scene needed to be seen as more formal, with more complex and well-lit shots, this scene’s humor is derived from the messiness of the characters’ situations. The lighting is darker, showing a lack of hope for their situation, and everything around the room is a mess. There is a rapid pace cutting between scenes, with occasional time stamps showing just how long they had been watching the show for comedic effect. The colors in this scene gradually get darker and less diverse as the scene goes on and they spend more time watching the show. Using different strategies, Brownstein and Armisen are able to convey different moods to the viewer in these two scenes.

However, I wouldn’t say that this episode’s strategy when it comes to cinematography is drastically different than any other episode simply because each episode has such a diverse array of strategies. This is truly a very visually interesting show to watch, and I enjoyed how the cinematography (and diversity of it within a given episode) reflected the diverse nature of the show.

Only The Real Ones Will Know

On September 25, 2018

In Review Topic 2

One special episode of Broad City that represents its uniqueness in comedic writing is the fifth episode of season two, titled “Hashtag: FOMO.” The writers of this episode are the stars Abbi Jacobson and Ilana Glazer, who co-create and write the show as well as having co-created and written the web-series of the same name.

Abbi and Ilana

Having the main stars write this episode is ideal because much of “Hashtag: FOMO” is Abbi and Ilana scrambling around the city from party to party trying to spend the best time, all while progressively getting more drunk as the night goes on. In this episode, the dialogue is structured mainly around Abbi’s and Ilana’s funny conversations and interactions with others. While there is a writer’s crew and a set script that the Broad City creators follow, the dialogue in this episode is structured in a way that reveals how unstructured the entire show really is. Abbi’s and Ilana’s conversations exude a feeling of familiarity where their perfect chemistry on screen makes the writing flow more naturally. The audience can take it as them improvising their dialogue, but Abbi and Ilana wrote this episode to truly show the natural conversations between two close friends, which makes it all the more relatable to the show’s demographic of millennial viewers. The unstructured feeling of the dialogue within this episode matters because the viewers get to see the true bond of friendship between Abbi and Ilana, which allows the concept of female friendships to be aimed at more than one specific demographic of viewers.

What real friends ask each other

While Broad City strays away from the tropes of typical comedy shows, Abbi and Ilana utilize “easter eggs” throughout the series to appeal to the observant, frequent viewers of the show. “Hashtag: FOMO” has a great example where towards the end of the episode, blackout-drunk Abbi drags Ilana to a underground speakeasy where the patrons receive Abbi warmly. Ilana is bamboozled, and Abbi assumes a persona unlike her named Val, a daring performer with a mid-Atlantic jazz voice who the audience loves. This easter egg refers back to the season two premiere where an old lady shouts “Val!” to Abbi on the subway, much to Abbi’s confusion. The audience does not know the context of Val until later, which shows how Abbi and Ilana write the show as if they are living in the moment alongside the viewers. There is not any dramatic irony between Abbi and Ilana and the viewers, but rather with Abbi, Ilana, the viewers, and the surroundings of the show. As the writers of the show, Abbi and Ilana use these easter eggs to create a more satisfying world where past actions influence future events, almost like real life. That is why “Hashtag: FOMO” is a standout episode of Broad City. The unstructured dialogue and the witty easter eggs create a hilarious episode where Abbi and Ilana find out more about each other than they ever knew.

Ilana shocked at Val

New Girl moving into her New apartment with New roommates!

By Inhee Baek

In Review Topic 2

I have finished watching the first two seasons of New Girl and there were numerous episodes that I could write about for my blog entries. Among those, I am focusing on the writing of the “Pilot”, the first episode of season 1 of New Girl for my first Blog Entry.

It was written by Elizabeth Meriwether. She wrote the plays Heddatron (2006), The Mistakes Madeline Made (2006) and Oliver Parker! (2010) and the romantic comedy film No Strings Attached (2011).

Elizabeth Meriwether, the writer of New Girl

The dialogue in New Girl is structured in conversations between the characters as the story-line is revealed. The dialogue here is very informal as it is the conversation between friends. The characters make jokes and use slang. All of the conversations are direct and there is no voice-over. This matters because it indicates that the show is emphasizing more on the conversations between the characters rather than the self talk. This means that they focus more on the relationship rather than individual characters.

Silence is used to move from one scene to another. This clearly indicates transition between scenes and therefore it is easy to follow the flow of the plot.

At the start of this show, there is a literary allusion. Jess referred her boyfriend cheating on her to the typical horror movies. Since it is the first episode of the show, there are also multiple recollection scenes. These throwback scenes allow us to know what different characters went through in the past. It helps us to understand the personalities of the characters and to predict the reaction of the characters in certain situations.

Jess finding out her boyfriend is cheating on her

I believe this episode stands out because it was a good way to start this show as it showed the background of each character. This helped the viewers to predict how the plot of this show is going to be. It also builds up the relationship between Jess and her three roommates and leaves the audience to look forward to different kinds of incidents this relationship might lead to.

the story about a little guy that lives in a blue world

By Bailey Moore

In Review Topic 4

The first episode of Fresh off the Boat is about as provocative as one can get when it comes to social issues for POC and immigrant families in the US. The writers of this show certainly aren’t scared to put their opinions and experiences out there, I mean Eddie Huang even named the main protagonist after himself. I thought Arvin’s commentary about the irony of the title was interesting too, essentially remarking that the family isn’t really fresh off the boat (from China or anywhere), but really from D.C., a markedly American town… and by saying ‘American’, let’s be perfectly clear that I mean all kinds of Americans. Chinatown very much being included. For that reason, I felt that Arvin’s observation shone a riveting spotlight on the theme of the storyline: that all people, background and skin color aside, are equal, but are treated as if they aren’t.

Image result for cardi b sipping tea gif

uh oh…racism? *sips tea*

Personally, I enjoy the way that Eddie Huang brings us this theme. He doesn’t do so in a condescending or stark manner, but rather uses comedy, like Eddie’s quirky obsession with Nas, or the use of slang by the stereotypical ~cringy~ dad, plus a very stereotypical accent as the cherry on top. Because this theme is so provocative, especially in today’s political climate, the comic relief more effectively communicates Huang’s side of the story. As Eddie says as he’s preaching his life plan to his parents at the dinner table, he’s taking “a seat at the table” in a conversation far larger than himself or the show. By representing this Chinese American family as the focus of the story, and really by daring to tell their side of the story, Huang not only communicates the theme but tells it through a lens of respect and empathy which makes his message more tender and approachable.

and so is this theme, @Eddie

If we’re really honest, we all know people get treated differently, whether you lie on the side of privilege or not so much so. Overall, I have already really attached to the characters. I enjoy them. And I enjoy their story. The one with less privilege, the real one, the awkwardness, and the struggle. This theme, so clear yet so delicately presented, is still very much present and poignant in Fresh off the Boat. And so far, I’m diggin’ it.

i <3 fotb

Works Cited:

Huang, Edwyn. “Fresh off the Boat.” Season 1, episode 1, Hulu, 2015.

All In One Take

In Review Topic 3

After watching the first season of Broad City, the episode that stands out the most for me in terms of its visual design is the eighth episode of season 1, titled “Destination: Wedding.” Right from the beginning, the episode opens with a long sequence of Abbi, Ilana, and some friends frantically running in formal wear down a New York street, late for Abbi’s friend’s wedding in Bridgeport, CT. The opening scene continues in one uninterrupted take, and the camera frames Abbi’s and Ilana’s exhausted faces with the skyscrapers of the city. Broad City usually employs long scenes in each episode because the scene flows more naturally, so the opening scene naturally sets the storyline, and we are drawn in with curiosity to see if the group will reach their destination. It is like we as the viewers are running alongside Abbi and Ilana, making the situation more personal even if we are not physically with them.

Opening scene of “Destination: Wedding”

Another example of these natural long takes occurs within the same episode when Abbi and Ilana board a sketchy bus to Bridgeport. Although Abbi is initially relieved to be on the bus, her relief fades as she observes sick passengers, live animals on the loose, and a tank of frozen fish. The camera takes the place of Abbi’s eyes as the viewer sees the monstrosities on the bus. This perspective camera movement is used in this episode because it elevates the comedy of Abbi’s disbelief without the necessity for dialogue. Instead of hearing Abbi bicker, we as viewers can see what she sees, and subsequently understand her disgust for being on the bus. Therefore, the inclusion of long takes in Broad City, especially in episode 8, helps to make a more natural, flowing, and comfortable scene where the viewers can easily recognize the humor and emotions of Abbi’s and Ilana’s characters.

While Broad City utilizes long, uninterrupted scenes to elevate its humor, the show also uses light to solidify the realistic nature of their situation. In episode 8, the opening scene and the bus scene are normally lit with daylight, implying a passage of time as well as a tone of familiarity with the situation. Abbi and Ilana are late to a friend’s wedding, a very relatable situation to most young people. Also, the color scheme of the show does not pop with certain colors to signify a certain mood. The colors of each scene are relatively neutral, even Abbi’s and Ilana’s dresses in episode 8, because the show is trying to make the lives of these women mimic reality, along with added humor and craziness.

Overall, Broad City has a visual design that plays into the understated yet wacky comedic situations of its two protagonists, Abbi Abrams and Ilana Wexler. Whether they are late for a wedding or having a seriously improvised conversation, the cinematography and direction of each scene exude the natural, realistic atmosphere of these two women’s lives.

Broad City title card

Jessica Jones has a Dark Past, and a Dark Show

By Philippe Lamarche

In Review Topic 3

Six episodes into season 1 of Jessica Jones and I feel like I have barely scratched the surface. There is so much left to learn about the characters’ pasts, the extent of Jessica’s abilities, and the message the producers wanted to convey to the viewers. However, something that was made clear as soon as the intro sequence of the pilot episode came onscreen was this show’s visual style. Within the first minute of the first episode, it is clear that Jessica Jones will deviate from the cheerful, vibrant visuals of your typical Marvel blockbusters like The Avengers. The intro features a dark scenes contrasted with bright streaks of color on which silhouettes are depicted. And while not every scene is as somber as the opening sequence, the rest of the show echoes a new trend in television: dark and moody visuals.

The visual style of the show is one of its distinguishing features, and it is prominent in every scene. Much of the show takes place in dimly lit apartments, whether it be Jessica’s or one of her client’s. When’s she not inside, she’s interacting with a gray, gloomy New York. These visuals not only establish the scene, but are consistently setting the mood. The visuals represent Jessica’s attitude and perspective that the world is a dark, depressing place. This idea is also reinforced by recurring images of Jessica drinking alone in her apartment and of her somberly looking at herself in the mirror. Everything considered, the visuals is part of what makes this show different from mainstream TV; Jessica Jones isn’t afraid of showing you a world painted in grayscale. This, in my opinion, is one of its strengths and one of the factors that made me choose it.

See below for a series of shots from Jessica Jones‘ intro sequence that demonstrate the type of gloomy images employed by the animators.

Portlandia’s compelling case for why excessive sanctimony is hurting the liberal cause

By Adam Lederer

On September 10, 2018

In Review Topic 4

Carrie Brownstein and Fred Armisen set fire to the TV world with Portlandia, a satire of life in urban blue-state Ameria

As a liberal myself, I have often been concerned with how some in my ideological circle approach political discourse – particularly with those they disagree with. Among other things, popular conceptions of liberals include a tendency to immediately attribute ill intentions to the other side and to be too easily offended. Whether this is truly a widespread phenomenon or not, it is undoubtedly a prevailing stereotype and one that is explored and critiqued in Portlandia.

Portlandia episodes are comprised of a series of short bits, so many themes can exist in a given episode. This entry will focus on season 2 episode 1: “Mixologist.” Specifically, I will discuss a bit in the episode that occurs at a feminist bookstore, where the two main characters play employees.

In this scene, the two millennial female employees of the bookstore encounter an older man whom they’ve hired to fix their AC unit. The scene begins with the repairman entering the bookstore and asking where the unit is. The employees ask him what he means, and the repairman begins to wave his hands to describe the shape of the AC system and proceeds to make a “whirring” noise with his lips. Immediately, Carrie Brownstein’s character stops him and explains that he needs to stop moving and making that noise for an ambiguous reason and Fred Armisen’s character asks if that means his character (who is a woman) also cannot make the noise. When the man asks again where the AC unit is, Brownstein’s character tells him he should not use the words “unit,” “box,” or “equipment” because she feels penises all around her and is practically “halfway to pregnant.”

Armisen questions her by suggesting he calls it a “chill unit” instead, but evidently that phrase cannot be used either. Seeing the cues from her partner, Armisen’s character eventually agrees and becomes equally offended that the repairman would have the audacity to use such a word. The repairman eventually fixes the air conditioner, and after encountering another difficulty as he refers to Armisen’s character as “sweetie,” he is given two books to read – one of which details how inside all of us is both a “phallus and the opposite of a phallus.”

Although a major exaggeration, this scene gets to the heart of why many feel that liberals are excessively sanctimonious. This scene illustrates examples of how some seem to take offense to minuscule things, like the use of “unit” or calling someone “sweetie.” Furthermore, we see how peer pressure leads Armisen’s character to take offense to things she would otherwise be fine with. In a show that markets to liberals and depicts the “hippie” lifestyle of Portland, this critique of modern liberalism is one that fits well within the show. The hope is that viewers look down upon this absurd style of engagement and set their default assumption of others’ intentions as good rather than bad.

Switched at Birth? Maybe not. Switched for this class? Oh Yeah.

By Matthew So

Hey! My name is Matthew So, I am a Computer Science major, and I plan on graduating in 2022, assuming all goes well. Although for most of my life, I have lived in the U.S., for my earliest years, I was raised in Hong Kong, so there’s that.

Although I have, of course, taken English classes in the past, including AP English Language in high school, this is my first English class at Georgia Tech. However, as you may know, this class certainly diverges from most other English classes; for most, I remained unconvinced in my abilities to write, which led me to treat such classes begrudgingly, as only busy work to finish. As such, for me, I most enjoy non-verbal communication, since unlike most types, it remains hidden yet enhances other, more visible, communication modes; even the raising of an eyebrow can completely alter the connotations of a sentence. However, I still struggle with verbal and oral communication; it’s just that every word matters, and because of that, it’s difficult to balance both clarity and emotiveness, meaning that half the time, I act far too formally, causing me to speak nearly condescendingly or incomprehensibly, while in the other half, I become so informal that it outright becomes inappropriate (hopefully, this blog will address that). With this class, however, and the fact that this class involves significant interpretation of verbal and oral communication, since the class requires analyzing television, I’m confident that I’ll be able to become more aware of visual implications. Speaking of television, for me, I never really engaged with current TV, simply because I either couldn’t allow myself enough time or because none of the TV shows available on major networks at the time interested me. However, with many of the current TV shows that this class has introduced me to, such as Jane the Virgin and The Good Place, I believe that I might re-enter the realm of TV, especially with the wide variety available today (after all, this is supposedly “peak TV”).

My face after realizing that I get to watch TV for a grade

As for the TV show to review, I have chosen Switched At Birth primarily due to its handling of not only class distinctions but also deaf/hearing distinctions as a television show from a national broadcaster in prime-time. The plot centers around two girls, Bay, and Daphne, the former of which was raised in a wealthy suburb and the latter of which was raised in an impoverished neighborhood and became deaf after contracting meningitis, which were, like the namesake, switched at birth. Overall, though, I’m excited for this TV show, especially considering the high representation of deaf or hard-of-hearing actors and actresses in this program.

FYI: Here’s What You Need to Know About Me

By Maya Krajeck

Hello,

My name is Maya Krajeck. I am majoring in industrial engineering, a status I hope to soon change, and I am optimistically (and apparently unrealistically judging by the other blog posts’ expectations on the matter) expecting to graduate in 2022. I have lived in Nashville Tennessee for the past 6 years, however I was raised half in Florida and half in Greece. Due to this bicultural exposure, it is technically accurate of me to claim that English is my second language, and I take no hesitations in blaming my poor grammar on that.

I never truly loved English classes, that is up until my senior year of highschool, yet I always loved literature. I was the socially awkward kid in elementary school who spent recess huddled in a corner over a book. I can vividly remember my nose stuck in a novel as I walked around my house, bumping into furniture and enduring stubbed toes in sake of a good story. You would hope this somehow translated to me being a good listener, however my ears are almost as weak as my mouth. Verbal communication will never cease to be an obstacle for me, with the only glimmer of hope being in my pun and “wit” abilities (which are built completely off shows such as Gilmore Girls, 30 Rock, and Will and Grace). I would love to improve on all elements of “WOVEN” but verbal is definitely a priority. My Greek heritage helped me become advanced in non verbal communications, as our hands are usually saying more than we do. This is my first English class at Tech, and rate my professor makes me optimistic that I can accomplish my goals in it.

I have never before taken an English class which assigned me TV shows to watch. I am grateful for this opportunity, as I consume way too much TV. I watch everything: Bojack Horseman, Big Little Lies, Game of Thrones, Seinfeld, Girl Meets World (a fantastic feminist show that should be on the list). When asked whether I am a movie or TV person, TV is always the answer.

For this assignment I will happily be watching Murphy Brown, a show I had never even heard of before this class. It follows a headstrong Murphy Brown in her return to journalism after rehab. My interest in this show peaked after ready Stealing The Show and seeing its positive influence on television culture.

When you get to watch TV for class.

Not Ruining a Space Opera with Boorish Behavior +1.3

By Schuler Kleinfelter

Killjoys Poster Art (click here for original image URL)

Hi everyone! My name is Schuler Kleinfelter, and I’m a Music Technology major. I expect to graduate in 2022, but a victory lap isn’t entirely out of the question. Previously I’ve taken pretty standard English courses. I really enjoyed the analytical nature of AP Lang, and I despised the often-subjective and muddled nature of AP Lit. My favorite part of communication is phrasing and presenting my verbal or written communications in funny ways. I tend to struggle with nonverbal communication, mostly because I overthink it. I’ll spend so much time thinking about how to communicate what I want to nonverbally that I’ll miss my opportunity to actually do so. Hopefully I’ll be able to improve that this semester, although it will probably just take practice over time.

I never had cable TV as a kid, so I pretty much only watched PBS Kids and Sunday cartoons on The CW. I got Netflix a few years ago, and I’ve definitely spent more time watching it than I should have, but I don’t think I’ve ever gone to ridiculous levels with bingewatching. Almost all the shows that I’ve watched have been funny shows, but they haven’t been comedies first-and-foremost. I’ve watched procedural crime shows like Psych and Bones; space operas like Firefly and Dark Matter; fantasy adventure shows such as Doctor Who and The Magicians; fun science shows such as Mythbusters and The White Rabbit Project; and DC shows like Young Justice and Supergirl. I have very little experience with shows in which the main focus of the show is the relationships between characters or with shows in which the comedy is the main focus, because I tend to prefer shows where the comedy and drama are grounded by a central plot (as opposed to shows where the plot is secondary to the drama or comedy). So shows such as Jane The Virgin — where it’s easier to count the characters that haven’t diddled each other than the ones who have — will be new to me.

I have chosen to review Killjoys because it’s a space opera, and I’ve thoroughly enjoyed all the other space operas that I’ve watched.

For anyone wondering, a space opera is a scifi show set largely in space (who would have guessed?) including elements such as daring adventure, interplanetary battles, advanced weaponry, chivalry, and characters with special abilities. The most famous of which is Star Wars.

Killjoys is about three bounty hunters called Killjoys who chase down warrants throughout an area of space called the Quad which is on the brink of a class war.

Fun Fact: before I decided on Killjoys I was considering sense8, and my title for this blog post would have been “A Sense8tional Introduction.”

First Time I’ve ever been excited for an English Class… ever

By Tanishq Sandhu

Hey everyone! I’m Tanishq Sandhu from Dacula, GA. I’m here at Georgia Tech as a Computer Engineering major hoping to graduate by 2022. This is my first English course at Georgia Tech and I’m beyond excited for this semester. Yes, watching Netflix may be one reason I am so excited butthe main reason is that this English course is more aligned with incorporating modern ways of communicating such as tweeting, blogging, etc. This makes the class seem more relevant and thus makes it more engaging as compared to the typical high school English courses that stress writing essays repetitively. Even in this class I came in with a fear, because that is the impression I have from high school- writing until your hands can barely function any longer. I enjoy electronic and verbal communication with friends (talking, texting, and meeting up), but I struggle slightly with verbal communication with strangers such as giving speeches or striking up a conversation with someone I do not know and so this semester I want to practice this skill around campus by talking to new faces. Not only this, but I also hope to look for a leadership position where I get lots of practice working with new faces and talking in front larger groups. I honestly haven’t watch TV on a consistent basis since before high school started. With the increase in work, and decrease in free time, watching a television show became a rare commodity for me. I have chosen Grey’s Anatomy, a drama show about the relationships of a group of doctors at a Seattle hospital, simply because many of my friends in high school had recommended it and it is on the list of shows for this assignment. Now, I’ll have an excuse to watch it without feeling guilty about wasting time. Wow, I really love this class.

Grey’s Anatomy is known for its plot twists; many characters who are come to be favored by the viewers unexpectedly pass away.

Wanna know about the New Girl?

By Inhee Baek

Hi guys, I’m Inhee Baek. I am a sophomore majoring in chemical engineering. My anticipated year of graduation is 2021 but I plan to do co-op, so hopefully, I graduate by 2022.

I was not a big fan of English in high school. This made me worry when I decided to take ENGL 1101 at Georgia Tech but it went pretty well because the topic was interesting.

I enjoy the oral mode of communication. I am a person who likes to talk and listen to others. I can clearly express my opinion and understand what others are trying to convey.

Me being confident about the Oral mode of communication

However, I struggle with the written mode of communication as I mentioned in my First-Week Video. Since we have many assignments associated with written mode of communication such as blog posts and twitter, I hope I can improve upon my writing skills in this semester.

I have not watched a TV show since I came to Tech a year ago. Before I came to Tech used to be a TV fanatic. If I am into a show, I binge Netflix at 3am even if It is a weekday and I have an 8AM class the day after. I know that this will make the life at Tech hard because they make it hard to manage my time efficiently. That is why I intentionally stayed away from TV shows. But now I can binge-watch and say it is my English assignment!

Me telling myself it’s fine to watch TV all day because it was an English assignment

I have chosen to review the New Girl. This show is about a girl, Jess, who moved into an apartment with 3 guys and the events that occurred between them. I have already seen the first few episodes and became a big fan of this show. It has an interesting theme and the chemistry between the characters is strong. After I finish this Introductory Blog Entry, I am going to start binging!

Not Too Broad, Not Too Specific