English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Tag: Intersectionality

Fresh off the Meaning of TV

For my final post, I figured I’d review what I thought the show was trying to tell us overall. I began my blog talking about the themes of the show, and progressed to talk about the role of gender in the show. Because I did these heavy- hitting topics towards the beginning of my blog, I feel that it could be useful to revisit now that I’ve seen more and been able to have a clearer idea of how these review topics have influenced the overall meaning of the show.

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look back at it

The show revolved around central abstracts like feminism, gender roles, family dynamics, and immigration.  The show was first aired in primetime in the slot directly following Modern Family, a telling fact which I missed in earlier reviews. This shows the audience that they were targeting as set up by the viewers of Modern Family and can indicate the style the show follows. Both shows are a little sarcastic, comedic, family-friendly sitcoms with adult twists here and there to keep it interesting for the adult viewers. They are overall family friendly but make a point to revolve around key social issues like homosexual marriage, mixed families, immigration, women’s roles, and more. This pattern holds their target audience and is extended through the show’s presence on the online streaming network Hulu. The show wants to have its audience but make its point too.

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yes, you can be both fully Asian and fully American

Fresh off the Boat normalizes and brings down to earth characters which challenge the norm. The main female lead is very much in control of her family and leads her husband in many ways, being a strong-willed yet feminine and sweet character. The father is an Asian-American immigrant who is pursuing the American Dream. These characters border on satirizing the norms of American culture and bring to light the ‘melting pot’ aspect of American culture in a positive and endearing way. This results in not only a huge following but also a meaningful one which reflects that these ideas will have an effect on mainstream culture with its audience.

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It Can’t Always be Black or White – or Can It?

Search Party has a pretty limited gender spread. Of the entire credited series cast so far, there are 69 men and 77 women. There is only a single actor on the show that does not identify as cis-gendered male or female. That actor is Jason Greene, who identifies as genderfluid. The character they play on the show is ambiguous in gender, but is only present in a single episode. Other than Greene’s character, however, the rest of the gender spread on the show is fairly black and white, varying only between cis-gendered male or female.

The show divides the agency of males and females relatively equally. All the characters on the show are relatively bad people. They’re self-interested and misled. Our lead, Dory Sief, is so absorbed in her fixation with Chantal that she recklessly bulldozes through her friends’ lives and drags them down the rabbit-hole with her. In fact, out of the four main cast members, the only one who seems to have unselfish intentions is Portia, but her decisions are still influenced by  a deep rooted desire to feel important. The main cast is evenly split between male and female (as long as we consider Julian, Keith, and Chantal as satellite characters), so agency in the show is also split fairly evenly. Additionally, many of the supporting characters also make decisions that influence the progression of the show. Some notable endeavors are the controversial articles that Julian publishes or Lorraine’s suicide.

Race, unlike gender in the show, is represented relatively well. The show does take place in New York City, after all. Of the five main cast members, two of them are explicitly not Caucasian: Dory is Iraqi-American and Julian is African American. Other characters in the show are also non-white, including Agnes Cho, Lorraine De Coss, and Keith’s ex-wife Deb. An interesting observation to make is that most of the notable minority characters also tend to be female.

The majority of the women on the show are presented as heterosexual. The one exception is the woman Dory meets with to discuss a job offer, who is so completely upset with her wife leaving her that it scares Dory away. There are far more gay men present in the show, however, particularly because Elliot himself is gay. Through love interests for Elliot, the show introduces several gay characters, particularly Elliot’s on-and-off boyfriend Marc.

Only Elliot can manage to look this fresh in rehab.

Mental illness is explored more deeply than disability in Search Party, as there aren’t really any characters that are explicitly physically disabled. On the other hand, several of the characters on the show experience varying mental illnesses. Lorraine is the greatest example of this, as it can be inferred she may be schizophrenic. Additionally, Elliot is a “self diagnosed narcissist” and compulsive liar. He has a psychotic break following his involvement in Keith’s murder, and admits himself to a rehabilitation clinic.

Are socially conscious shows more gender-inclusive? In Portlandia’s case, yes.

Playing with gender is a common theme in IFC’s hit show, Portlandia

The very nature of Portlandia leads it to be more experimental with gender relations and representation on the show. Being set in a progressive town like Portland, Oregon, the show is bound to reference gender frequently, and it does just that. One prominent example of gender being referened repeatedly is through the show’s recurring feminist bookstore bit, where Armisen and Brownstein play two women selling third-wave feminist literature. Through dialogue in these scenes, gender issues are referenced a lot. Furthermore, the fact that Armisen, a biological male, is dressed as a female sheds light on the trans community. Brownstein also dresses as a man multiple times over the course of the show.

As such, not only male and female are represented, but so are many other gender identities in certain bits. The transgender community also has decent representation in the show, as mentioned above. However, the majority of the scenes take place with exclusively cisgender men and women. From the episodes I watched, it does not appear that men or women received notably more screen time; most of the screen time is consumed by the two main actors (Fred Armisen and Carrie Brownstein) and the characters they happen to portray in a given scene.

The show does a good job of giving each gender agency and power. Sure, there are some scenes in which a given character seems irrelevant or powerless, but on the net it evens out. Male characters are oftentimes portrayed in a manner uncommon in mass media today: as sensitive beings with a desire to from non-superficial relationships. Armisen even gets his nails painted in certain scenes, highlighting gender performativity in such scenes. Women are also portrayed as less indecisive and more powerful on the show, but more work could still be done on this. The show does have a decent minority population, but these characters are often supplemental and temporary (as are about all characters on the show to be fair). Since Armisen an Brownstein are the main characters in each sketch, they take up most of the time as white people.

Overall, the show does a good job of representing a wide range of genders and highlighting the problems with a simple male-female dichotomy. Men and women are considered to be essentially equal, and the show does a good job of putting forth a model for shows going forward on how to approach these issues.

Taking a Quick Peek at the Writing Behind Fresh Off the Boat

Looking at the pilot of the show, “Fresh Off the Boat” the characters are introduced to an entirely new environment, Orlando, Florida, and must all adapt to the suburban lifestyle all while attempting to blend in with a largely white community. Furthermore, Eddie has to try to fit the expectations set for him despite considering himself the “Black Sheep” of the family. The opening scene opens with Eddie trying on expensive clothes and his mom promptly denying him said clothes. This is when we are introduced to our narrator, the real life Eddie Huang, as he explains his frustration at his mother’s lack of understanding of department stores. Within the first minute of the show, the narrator’s lines already establish one of the key conflicts that recurs throughout the show: Eddie’s understanding and acceptance of American culture vs. his family’s vexation and resistance towards it.

(Eddie tries on some posh clothes that don’t quite fit into his mother’s price range for shopping.)

The next key scene immediately follows as Eddie flashes back to his road trip as he moved from Washington DC to Orlando, Florida. In this scene, the narrator quickly, but blatantly describes the characters in the family and his relationship towards them. He establishes that his father bought into the American dream, that his mother was hard on him, and that both were worried about him, after which, he quickly dismisses the other members of his family. This dismissive words of the narrator helps to reveal Eddie’s sense of separation from his family and his feelings of being an outsider. As the episode progresses, the narration becomes less frequent and the character’s dialogue begins to take more significance in the episode. A key distinction to notice in the episode is the dialogue of the white characters being illogical yet patronizing whereas the dialogue of the Huang family being straightforward and personal. During most scenes with white characters interacting with Eddie the characters will struggle to speak to him due to the fact that they expect him to speak little or no English. Whether it be tourists in DC who slowly as for directions to the “W H I T E   H O U S E” or teachers who do not know how to pronounce his name, Eddie establishes the general lack of understanding towards Taiwanese culture in specific, and Asian cultures in general.

The episode wraps up with an epic showdown as Eddie’s parents duke it out with the principal of his middle school. After discovering that Eddie started a fight because a student called him a “chink” Louis Huang berates the principal following with Jessica accusing the principal of ignoring the bullying problem in his school. This scene ultimately reveals Eddie’s parents true feelings towards their son and their understanding of how difficult it is to fit into the whitewashed town of Orlando.

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