English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology

Category: Review Topic 4 (Page 4 of 5)

“Fresh Off the Boat” Theme of Cultural Assimilation and Identity

 

A common repeating theme in “Fresh Off the Boat” is the struggle that immigrant families go through when they move to America. The struggle of maintaining their ancestral and individual culture; while at the same time trying to blend in with the American people around them. This comes into the shows forefront during the last episode of the first season of “Fresh Off the Boat.” During the episode, Jessica come to the realization that they had assimilated so far into American culture that their kids were starting to lose perspective of the ancestral culture that they came from. Jessica’s epiphany compounded through several events: Marvin mentioning that they seem like an average American family to him, Evan requesting to know how to say “can you say that in English” in Mandarin, and the fact that she cooked mac and cheese with bacon bits for dinner. In contrast in episode 3 “The Shunning,” Jessica made stinky tofu to take to the block party, a Chinese dish. In fact, what Marvin said was a response to Jessica calling themselves Asian-American with an emphasis on Asian. While it’s the main plot behind episode 13, it has sat in the background for a bit. In an earlier episode, Jessica asked why Eddie couldn’t just a good Chinese boy like Emery or Evan. This is made because Eddie seem to desire to become more like the rest of his classmates; while Emery and Evan were more stereotypical Chinese kids with good grades and Evans even paints some beautiful Chinese inspired art. The most noticeable lost of cultural identify can be seen through the three generations living in the house hold with the grandma being the most tradition and the kids being the most assimilated. In episode 11 “Very Superstitious,” there is a great example of this is the superstitious of the characters. The grandma is seen as being highly religious with incense, Jessica is highly superstitious having typical Chinese superstitions such as the number 4 being bad luck, this is then contrasted with Louis, who has assimilated further into American culture, being only superstitious about not having his jade necklace, and finally the kids aren’t shown to be superstitious, at least not in the traditional Chinese sense, in the episode. This was all use to symbolize how over several generations kids slowly get assimilated into the culture that they live in losing the cultural identity that their parents and grandparents had. This is a very common phenomenon in the real world often happening across three or so generations where the first generation that immigrates to America keeps their own culture passing it down on to their kids that mix it with the culture they live in. Finally, when they have their own kids they past much less of their culture along often with the third generation fully assimilating.

Jessica hopes to hold on to their native language by getting her entire family to only speak in Mandarin when at home.

Eddie wanting to be less Asian and more like his white friends representing the lost of cultural identity over the course of a few generations.

The Confrontational and Disheartening Nature of Birthdays

Throughout my short tenure at college I’ve discovered one main lesson: being an adult is hard. This is also the lesson that Mindy discovers in the episode “Mindy’s Birthday”. This episode centers around her birthday, but being in her thirties, she is disillusioned with the party her friends decide to throw for her: a glitzy, public bash complete with presents that teach cooking for one and an elliptical. As people grow other, birthdays are no longer what they were when they were kids. Birthdays, events designed to be celebrations of life allow people to become disappointed in the events of their lives. It’s generally a time for people to come to term with the shortcomings of their own lives, as birthdays are milestones that can pass without certain moments of success. For Mindy, this is most evidenced by her lack of a relationship. Thus, the argument here is that birthdays force adults to evaluate their life choices, many times in a harsher way than reality.

The episode demonstrates the introspective, sometimes disheartening nature of birthdays by a series of bad choices made by Mindy. After confronting her lack of romantic relationship, she abandons her friends and coworkers to drink alone at a bar. This leads her to make a group of superficial friends before wandering NYC with her belligerent office assistant. Mindy became transfixed on what her ideal life should be in her mid-thirties, and when she realized she hadn’t achieved it, she ran away. She forgot to be appreciative for the wonderful things she already had in her life – her friends.

This ties back to the larger theme evident throughout the entire show – life is not a fairytale romance. Life is messy, difficult, not always enjoyable, and it certainly will not go perfectly. Mindy is an eternal optimist – she has high expectations and she really, truly believes she can achieve everything she wants. At the times when things don’t go perfectly, she breaks down. The show is technically considered a romantic comedy, and as such, Mindy strives for the same ideals perpetrated throughout the genre: to be happily married, have a successful career, and be perfectly content. She has achieved much of this, but she is still missing a crucial (in her opinion) piece – the relationship. This relates to the crushing expectations placed on women by society – they must be perfect and achieve milestones by specific times in life. As each birthday passes, Mindy feels herself drifting away from cultural perfection. However, as she discovers at the end of the episode, she has enough in her life to be happy. Even though she isn’t at the picture-perfect place in her life, life will always be chaotic, and people have to learn to leave their expectations and plans behind and just live life to the fullest with what they have.

Mindy’s least favorite birthday present of the night – Microwave Cooking for One

New Girl, Old Habits

After watching episode 3 in season 1 of New Girl it is obvious that the writers are trying to convey how everything doesn’t always go as planned. After being invited to a mutual friends weeding, everyone decided on certain things they wanted to happen at the wedding. Before going to the wedding everyone seemed upbeat and excited to have a good time. Schmidt had plans to sleep with the hottest girl at the weeding (his college crush). Nick strived to prove to his Ex-girlfriend that he was over her and had moved on. And Winston, after finally getting his first job in 2 months, became dedicated to being the perfect usher at this wedding. As you can guess none of their plans panned out for them.

Throughout the course of the show everyone’s plans got destroyed. Nick instead of proving his ex-girlfriend wrong, fell right back into her trap and again was crushed when she told him she didn’t want a relationship. Schmidt’s goal of finding the perfect girl took a wrong turn when he ended up sleeping with his usual wedding buddy instead of the girl he pined for. And Winston, ended up failing at his job because he took it was too seriously and forget how to act as a responsible adult. In fact, the only person who was able to enjoy her experience at the weeding was Jess when she decided to be herself. Jess was okay with going with the flow and she didn’t care if what she wanted was going to happen, she just had fun.

I believe the writers are trying to prove that being too set on one outcome can cause distress. If you are open minded and are willing to compromise from the start most things will be much more enjoyable and much less stressful. Image if Schmidt, Nick, and Winston went into the weeding with no expectations for what would happen… there would have been a very different story line.

The Non-Serious Theme of Marriage and Serious Relationships in Broad City

In season two, episode seven of Broad City, the show takes on the concept of marriage and romantic relationships. One character on the show, Bevers chickens out of proposing to his girlfriend of three years because Ilana convinces him that he is too young and more so his girlfriend is too young to be constricted by marriage. Shortly after, Ilana herself struggles with the concept of being with someone for a long time. She realizes that she had not slept with Lincoln in four days and had just been hanging out with him. At the realization that that was a sign of a more serious relationship she breaks down for a small period of time, overwhelmed by the idea that she could be soon constrained to her relationship with Lincoln as Bever’s near proposal brings to light.
Marriage and serious relationships are not praised or desired on Broad City as they often are in American media. The show’s female creators and staff have written female characters that can talk about other things and are driven towards a goal of marriage. The episode before episode seven featured a dog wedding where two gay men married their dogs seemingly as a ploy to get more intimately acquainted with one another. The show puts more emphasis on enjoying life than traditional relationships, critiquing America’s romanticising of romance.
The show provides a view of two young women that want to get high, have fun, and engage in sexual actions sometimes outside of relationships, and it is displayed as completely fine. Broad City displays alternate desires that women and people can have and refreshingly so. Ilana and Abbi from episode to episode have different goals and desires that often do not include men: going to a concert, getting out of work, or enjoying a good restaurant.

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Here is the dog wedding referred too earlier.

 

Being Different in an “Accepting” World

Each passing year introduces new technologies to the world around us. Seen also as time continues are the advances towards acceptance of all people, no matter their gender, race, culture, religion, etc. However, even in this progressive age, there are still many instances of prejudice.

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Adena El-Amin

 

The character portrayal of Adena El-Amin within Freeform’s The Bold Type brings attention to the prejudice that is is still prevalent within the United States. Not only is Adena treated unfairly for being a Muslim woman, she is also scrutinized for her choice in sexuality. In one episode, in particular, Adena is walking with her friend, Kat, when her mom calls. Seeing as Adena’s mother speaks their native language, Adena answers in Arabic. Though, as she is walking and speaking on the phone a man rudely yells at her to “…speak English!”, and then goes on to call her a “towel head” when Kat begins to speak out for Adena. In this portion of the episode, the viewer not only sees the harsh treatment Adena receives for simply being herself, but we also witness her fear of authority in the United States when she runs instead of telling the police what actually happened.

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Kat calling for Adena after she realizes that she ran away.

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Adena explaining she had to leave.

Kat is baffled by her friend’s decision to run but later comes to realize that Adena does not really have the same choices as her. All though both women were only defending themselves, because of who Adena is (a lesbian Muslim woman) being right would not have been enough and there was a very real possibility that she would be deported.

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Kat’s Boss telling her that sadly, being in the right isn’t always enough.

 

 

The Bold Type is a show that says what needs to be said. It talks on topics that many people would rather sweep under the rug. Topics like the prejudice that many women still face and how that bias is spread within all social circles, whether that be a man walking past who yells a hurtful phrase, or a policeman who doesn’t believe a woman simply because she is another color. The Bold Type shows viewers the real deal… It is hard to be different and it shouldn’t have to be.

 

 

The Battle of the Supers

So I’m about halfway through the first season of Supergirl, and it is truly eye opening to see the depth and complexity behind a show when I’m not watching it purely for entertainment purposes. One doesn’t normally think a show like Supergirl would deal with heavier cultural topics, but it handles it in such a seamless way that the viewer is often unaware of how controversial most of these topics are.

The theme that really pushed its way to the forefront during the first three episodes is that no matter what industry a woman is in, whether it’s mass media or being a super hero, she will inevitably be compared to her male counterparts, and in order to be considered their equal, she has to do everything better and more efficiently than the men do.

Supergirl vs. Superman

This is most evident in the almost constant comparison and references to Superman that are in these early episodes. It seems that no matter what she does, Kara is constantly being compared to her cousin, and is even expected to be the same type of superhero, rather than being her own person. A perfect example of this is when Kara is very upset that the media is cracking down so harshly on her early mistakes in her superhero career, such as labeling her as an eco-terrorist when a firefighting job goes wrong. Her cousin made a lot of mistakes early on and was still able to maintain a perfect image, while Kara receives a great deal of backlash as she tries to get past the learning curve. Her boss Cat makes an excellent point though in episode two when she says, “Every woman worth her salt knows that we have to work twice as hard as a man to be thought of as a half as good.” No matter the field, women tend to have a harder job, as they have to push past the barriers of stereotypes and comparisons to be seen as equals in a largely patriarchal society.

Cat Grant = BOSS

Another example of this is in episode three when Kara faces the villain Reactron. Everyone around her from her sister to James Olsen, Superman’s best friend, is telling her that she is incapable of defeating Reactron, solely because Superman was unable to do it. Everyone is trying to judge her by comparing her to her cousin, but Kara only wants the chance to prove herself.

Just like Kara, the show as a whole wants to be able to show the world that it can stand on its own without relying on Superman to save the day. This is extremely relevant to what is happening in today’s culture because women in the workforce, and especially in television, are tired of being judged by the yardstick of men and never being able to measure up. It’s a battle of the sexes, as we try to see which one will end up dictating our cultural norms.

the story about a little guy that lives in a blue world

The first episode of Fresh off the Boat is about as provocative as one can get when it comes to social issues for POC and immigrant families in the US. The writers of this show certainly aren’t scared to put their opinions and experiences out there, I mean Eddie Huang even named the main protagonist after himself. I thought Arvin’s commentary about the irony of the title was interesting too, essentially remarking that the family isn’t really fresh off the boat (from China or anywhere), but really from D.C., a markedly American town… and by saying ‘American’, let’s be perfectly clear that I mean all kinds of Americans. Chinatown very much being included. For that reason, I felt that Arvin’s observation shone a riveting spotlight on the theme of the storyline: that all people, background and skin color aside, are equal, but are treated as if they aren’t.

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uh oh…racism? *sips tea*

Personally, I enjoy the way that Eddie Huang brings us this theme. He doesn’t do so in a condescending or stark manner, but rather uses comedy, like Eddie’s quirky obsession with Nas, or the use of slang by the stereotypical ~cringy~ dad, plus a very stereotypical accent as the cherry on top. Because this theme is so provocative, especially in today’s political climate, the comic relief more effectively communicates Huang’s side of the story. As Eddie says as he’s preaching his life plan to his parents at the dinner table, he’s taking “a seat at the table” in a conversation far larger than himself or the show. By representing this Chinese American family as the focus of the story, and really by daring to tell their side of the story, Huang not only communicates the theme but tells it through a lens of respect and empathy which makes his message more tender and approachable.

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and so is this theme, @Eddie

If we’re really honest, we all know people get treated differently, whether you lie on the side of privilege or not so much so. Overall, I have already really attached to the characters. I enjoy them. And I enjoy their story. The one with less privilege, the real one, the awkwardness, and the struggle. This theme, so clear yet so delicately presented, is still very much present and poignant in Fresh off the Boat. And so far, I’m diggin’ it.

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i <3 fotb

Works Cited:

Huang, Edwyn. “Fresh off the Boat.” Season 1, episode 1, Hulu, 2015.

“Success Perm” in Asian Culture

Throughout the Fresh Off the Boat TV show, it expresses many key Chinese-Asian cultural values that may be foreign to the average audience. However, coming from an Asian background, I can easily relate to Asian cultural values that are highlighted. In particular, this is especially evident in Season 1 Episode 4: Success Perm as the episode demonstrates the value of materialism in gaining commendation in an Asian family and the comparative nature between siblings (Jessica and Connie) or husbands (Steve and Louis). From the very beginning when the Huangs went to buy fake lemon trees and got a perm to Steve having a grand entrance with his affluent Miata car and Connie getting breast “airbags” implants, the audience is immediately hit with a clear impression of the importance of symbolic materialism in Asian culture. While Steve and Louis’ rivalry is purely materialistic, Jessica and Connie have an intriguing rivalry of trying to impress their mother. All of these vying is effectively summarised when Jessica points out “They’re family. They’re coming to gloat about all of our misfortunes: the restaurant, Eddie…”

Typical Asian Cultural Value

At this point, the general audience may criticise the superficial, jealousy-spite filled, materialistic Asian values. But as the episode carries on, the audience is able to become more empathetic. This becomes apparent when Jessica opens up to Connie in regards to their struggling financial capacity, and in return Connie admits the pressure that she carries for being “mom’s favourite”. Thus, this allows the audience to become more sympathetic to Connie as we are able to understand the burden that Connie has to carry as being branded their mom’s “favourite daughter” after finally winning over that title from Jessica.

Moreosver, the Chen’s façade of a “well-off Asian family” begins to crumble as Louis’s suspicion that the Miata car was second-hand becomes true when a call from the police office reveals that their family is actually in debt. As the episode ends on a sad note as the Chan family leaves, Jessica jokingly tells Connie “By the way, your hair looks terrible” while in reality the subtext translates it to “Mom wasn’t the only one hurt by you moving away.” As this scene draws inspiration from a conventional sibling rivalry full of half-hearted jokes, the audience can more easily relate to the complex rivalrous, yet compassionate relationship that Asian siblings and families overall have. The show wraps up this idea nicely as it reminds the audience that “We learned that just like O.J., people aren’t always what they seem.”

Fresh off the Boat episode 4 review, Success, Success, and… Perms!

Ah, the family success struggle, a very relatable topic to many. It seems like many families always have the dynamic of one well-off sub-section of their family, and all the rest looking on in envy. In the fourth episode of ‘Fresh off the Boat,’ this very theme comes up and is portrayed surprisingly well.

Curls = Power, this is another, albeit humorous, ‘theme’ that is explained to the audience. Chinese. Love. Curls. (apparently)

Even if the family dynamic above isn’t something you can related to, almost everyone can relate to the classic ‘family get-together.’ In ‘Fresh off the Boat,’ the get-together is used as a device to bring about the conflict, and the major theme. The show makes a statement towards the end of the episode, that being that money and success are all important, but sometimes in your effort to show off, you may fail to see that the people you are trying to show off to also have their own problems.

This theme of showing off and competitiveness is shown in the Huang family’s actions in preparations for their family visiting. They put their youngest kids into the pantry to sleep, making sure that their family doesn’t notice that the house doesn’t have enough room for visitors, they get a fake fax line, to make it seem like their restaurant is successful, and they get the ‘success perms’ from which the episode gets its name.

Their visiting family also does certain things to show off. Jessica’s sister gets fake breasts and Jessica’s brother-in-law Steve even drives the full trip to Florida in his sports car to show off.

Eventually, both families realize that they are both going through problems, Steve is in debt like Louis, and Jessica and her sister still have to fight for the very little love their mother shows. Eddie even goes through his own little version of this. He attempts to show off his knowledge of hip-hop to his cousin, but when his cousin comes over and listens, he says that hip-hop is for kids, and that he doesn’t listen to it anymore. Eddie, like his family, realize that their family have as many problems as they do, and that it wasn’t worth the effort to try and show off.

The theme portrayed in this episode can be observed in almost every family get-together. Everyone tries to show their family how pretty their house is and how well they are doing, but in that, they forget that their family’s situation is probably more like their own than they think.

Knowing Corinne Brinkerhoff

As I wrote in my Intro blog, I ended up choosing ‘No Tomorrow’ because it was my sister’s advice. Since my sister has great taste, I am enjoying it so much that I cannot wait to see what is going to happen at the end of the last episode. My first impression was not that good but it has a twist and it has been better than I thought that It was going to be. The writer of ‘No Tomorrow’ is a woman called Corinne Brinkerhoff. She began working in television in 2004 and became a writer in 2006. In 2007 she became a story editor and further on, she became executivestory editor. Before ‘No Tomorrow’ , she had previously written some other TV shows, such as ‘Boston Legal’ from 2006 to 2008, ‘The Good Wife’ from 2009 to 2012, her most recently ‘No Tomorrow,’ that is based on the 2012 Brazilian series “How to enjoy the End of the World,’ among others. In between these TV shows, her second one (The Good Wife) was nominated for the Writers Guild of America Award for the New Series in 2010. 

Talking a little bit more about why this TV show stands out to me, I can say that every episode is a surprise. When I think that I know what is going to happen, the writer gives us something unexpected and completely new. I am excited to see what is going to happen at the end. 

Besides all of these unexpected directions that the TV show takes, she chose to add some pauses in the middle of each episode. These pauses are a completely blackout and it happens during an interesting scene when you get excited to see what is happening. It makes you curious about the way that the scene is going to take and make you watch more and more episodes.

Boldness leads to Backlash

In Episode Three: “The Women Behind the Clothes.” The Bold Type tackles the backlash that often arises from being “bold” and stating your opinions.

While the show is about strength in the face of adversity, it is realistic and makes one of its strongest and confident characters, Kat Edison, break down in tears when dealing with internet trolls. It does not simply tell the viewers to be strong when faced with these barriers rather it shows how to be strong. No matter how rewarding it would have been to have Kat somehow shut down the Twitter Trolls, it would have been highly unrealistic. Rather the show gives its viewers supportive relationships and sound advice “Not to Engage” – Jacqueline.  From Jane and Sutton comforting Kat in the fashion closet to Jacqueline’s sincere conversation with Kat about the haters, the episode juxtaposes the hate with these endearing interactions.

In this episode, the show pushes the age-old message about how love always triumphs hate. The creator of the show Sarah Watson mentioned that the inspiration behind this episode was to give women hope in the face of hateful misogynist comments such as the ones Kat is facing. In an interview, she stated that “I felt like I had the opportunity to give Kat a little bit of a win. I wanted to show women that.”1 As a result, the show writes Kat an empowering ending to the episode, with her banding together with other women to create a kindness campaign.

Jacqueline Comforting Kat

Jane and Sutton Comforting Kat

The episode highlights how one can feel powerless, in the words of Kat Edison “There is nothing [we can do]” when faced with faceless haters behind a screen. However, the show makes it clear that one kind message, such as the one Kat received from the CEO of a VR company, has a greater impact than the millions of hateful comments often circulating online.

 

  1. Highfill, Samantha. “’The Bold Type’ Boss Reveals the Inspiration Behind Our Favorite Moments.” com, EW.com, 15 Aug. 2017, ew.com/tv/2017/08/15/the-bold-type-sarah-watson-story-inspiration/.

White People Lunch

The theme addressed in this episode is being a minority in a community where the majority race is White. This is addressed in a few different ways. First, Louis, the father, decides that the reason his restaurant isn’t doing well is that he, a Taiwanese man, is the host and greets people rather than a White person. This is definitely relevant in a world where many people tend to see White people as safe while other races are seen for stereotypes.

Louis explaining why he hires a White host


Next, in school, Eddie is the only Asian kid in school and at lunch he is exiled because the meal his mom packed for him smells funny to the White kids. Having immigrant parents can cause children to stand out in school. Some kids can be embarrassed by not fitting in to mainstream culture. In Eddie’s case, he decides that to fit in he needs to buy Lunchables for his meal because that is what everybody else has.

White people lunch


The struggle of being a minority continues when Eddie gets called a racial slur by the only Black kid in school. The Black kid seems to have called him this because he seemed mad that Eddie would have the opportunity to fit in with the White kids before him.

Rejection


Being a minority in a majority White community definitely seems like it will be a major theme throughout Fresh Off the Boat. It seems like it will follow their struggles and triumphs within the community. Both Eddie and Louis seem like they are willing to conform to White culture in order to succeed in their fields. Jessica, however, seems like she misses living in Chinatown in DC and doesn’t want to fit in as much with the White woman in the neighborhood. At the end of the day, the whole family still is proud of who they are. They stick up for Eddie when he gets in the fight after being called a racial slur. They won’t forget their background.

The Huangs vs the World

Season 1, episode 2 of Fresh Off the Boat is very rich thematically. The theme of the episode, however cheesy and overdone it is, is that family is important. This episode is very early on in the series, so it makes sense that the Huang family dynamic would be explored in such an episode. This exposition of the family dynamic may also set the stage for further developments in the series.

This family dynamic is extremely relatable, serving to give the episode some pathos when communicating the theme. The Huang parents each make members of the family do things for their own good, which they don’t want to do. Jessica forces her kids to practice math and reading outside of school, something I know I wouldn’t have liked in the moment, but that I would appreciate now. Louis eventually tells his wife to stay out of his business concerning the restaurant to make it a more inviting environment for customers in the future, improving business. Throughout the episode, the Huangs tell each other “I love you” when they’re hiding something. This in itself isn’t a problem, as everyone has a different means of showing love, but it, too, serves to have the audience identify more with the main characters. In my case at least, this is something I can identify with. I actually texted my mom the other day to tell her I missed her, and she replied with, “What’s wrong?”

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The Huangs say “I love you” when they’re hiding things.

In this episode, the Huangs stand up for each other in many ways. Eddie’s parents defend him when the school tries to get him in trouble for fighting another kid after being called a racial slur. Additionally, Jessica deals with customers who dine and dash at Louis’s restaurant and she takes on teaching all of the sons outside of school.

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Jessica dealing with customers who dine and dash

The Huang family is repeatedly juxtaposed with that of their neighbor, whose dad is not around.  This underscores that despite its dysfunction, the Huang family is always there for one another. This dysfunction manifests itself when Louis gets irritated with his wife at the restaurant. He half-tricks her into staying home and tutoring their sons. However, he eventually has to come clean to her. This reveals an important subtheme of this episode; that openness is important, especially through the lens of family concerns. Your family is meant to be there for you, but they can’t help unless you are open with them.

The episode ends with Louis playing basketball with his kids. This scene serves to drive home the theme, as everything is resolved because the family stuck together. This theme will likely be referenced again when members the Huangs go through hardship. They’ll turn to each other for help. As we’ve already seen, there is going to be a lot of conflict involving their cultural identity in the future, and they’re the only people they know with the same experiences.

Killjoys Experiences with a New Theme – Non-Sexual Relationships

Today, we’ll be exploring the themes present in “Killjoys”. Since you’re back, I expect that you have a genuine interest in “Killjoys” and have already watched it. I’ll try to minimize the number of spoilers, but if you are still worried you may consider watching the first 5 episodes before reading on.

 

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Michelle Lovretta

 

In August 2015, the showrunner of the Killjoys series Michelle Lovretta interviewed with Veronica Scott of USA Today – Happy Ever After. In the interview, Michelle points out one of the major themes that ran through season 1 of Killjoys – a “non-sexual relationship” between characters of different genders. In fact, the sexual relationship of main characters with others of opposite sex have become somewhat defining of television shows since the 2000s. This includes major hits such as Jane the Virgin, Game of Thrones and The Good Place, which have featured sexual relationships between characters of opposite gender (or sometimes the same) as one of the storylines, for some being the entire driving force of the show.

 

Hannah John-Kamen as Dutch and Luke Macfarlane as D'avin on Killjoys. (Photo: Syfy.com)

Main Characters Dutch and D’avin of Killjoys

 

Michelle’s Killjoys certainly proves that sexual relationship between characters within a TV show isn’t the key to a successful series. Adopting a non-sexual relationship theme, the relationship between Dutch and Johnny, as well as D’avin who joins later on, is more of a brother and sister relationship. They certainly do not have any sexual affection towards each other (please don’t argue the relationship between Johnny and Lucy is), and none of their action and the decisions they make can be attributed it. Instead, the whole season is progressed by the values of each character, both similar and different, such as families, friends and loyalty. The departure from using sexual relationships as a storyline and adopting a non-sexual relationship theme brings out the brotherhood and sisterhood in the series together with the added benefit of making the motives of characters appear much brighter. At the same time, this usage of the theme of non-sexual relationship criticises the overgeneralisation of sexual relationship in pop culture while providing an alternative for the audience.

 

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Lucy in Killjoys

 

Furthermore, the successful adoption of a non-sexual relationship theme demonstrates romance isn’t essential for TV shows to grasp the attention of its audience. Instead, one without could still have the same elements of action, sympathy and arguments while being more easily understandable and relatable. This provides the audience with a completely different experience, probably one that the general population would easily connect and relate to. After all, not everyone has experienced or like romance, while on the contrary, everyone has experienced some kind of brotherhood/sisterhood.

This brings us to what this theme of non-sexual relationship contributes. While it certainly makes us reflect how pop culture has been overusing sexual-relationship to capture audiences’ attention, it also brings out the decisions we as human beings often must make; what is more important? Family? Friend? Loyalty? Responsibilities …… In case you need a reminder, life is not always a choice between who do you love or choosing between a sexual relationship or something else.

 

Liszewski, Bridget. “KILLJOYS’ MICHELLE LOVRETTA WRITES WHAT SHE LOVES”. Thetvjunkies.Com, 2016, https://www.thetvjunkies.com/killjoys-michelle-lovretta-writes-what-she-loves/. Accessed 11 Sept 2018.

Sara-goodwin. “Interview: Killjoys’ Tamsen McDonough Talks Fan Experiences, Playing a Spaceship & Being Part of the MCU.” The Mary Sue, The Mary Sue, 1 Nov. 2016, www.themarysue.com/interview-killjoys-tamsen-mcdonough/. Accessed 12 Sept 2018.

Scott, Veronica. “Interview: Michelle Lovretta, Creator of SyFy’s ‘Killjoys’.” USA Today, Gannett Satellite Information Network, 29 June 2016, happyeverafter.usatoday.com/2015/08/20/veronica-scott-killjoys-michelle-lovretta-interview/. Accessed 11 Sept 2018.

 

 

Family is Everything

Well, I’m six episodes into Fresh Off the Boat, and so far it’s SO GOOD!  I realize that’s probably about as subjective as I can get, but I am thoroughly enjoying seeing the world through the eyes of an eleven-year-old boy facing a lot of challenges in a new, unfamiliar environment.  I also find the focus on the family element to be extremely refreshing.  While many modern dramas highlight family conflict (kids disrespecting their parents, parents tearing each other down, grandparents being portrayed as old-fashioned and therefore irrelevant), Fresh Off the Boat depicts the Huang family as people who love each other and genuinely want the best for one another.  That’s not to say that they don’t ever argue, or they live without EVER making each other’s lives miserable every now and then.  They’re not perfect, despite what Jessica desperately wants her sister to believe (“Success Perm”).  But at the end of the day, they’re all on the same team, which leads me into the first theme I’ve noticed in this show: Family is everything.

Okay, I know what you’re thinking.  What about the guy who grew up in an abusive home and hasn’t spoken to his parents in decades?  Or the little girl with an alcoholic father?  Is family everything to those people?  And no, that’s not what I mean.  As we’ve talked about in class, shows like Murphy Brown and Jane the Virgin present the idea that family isn’t necessarily two parents and two children in a suburban house with a white picket fence.  Sometimes, family isn’t even who DNA says family is.  Family is all about love, kindness, patience, and support.  In some cases, family may be all that you have.  In a setting where an immigrant family moves to a new city, everything that was once familiar to them has changed.  Everything, that is, except for family.  I think Fresh Off the Boat argues that if you have your family around you (no matter what form that “family” may take), everything else will fall into place.

I see this theme clearly displayed in the episode “Home Sweet Home-School,” in which Jessica begins supplementing her sons’ education with some extra assignments at home.  Eddie is upset because this new homeschool program means he can’t spend his afternoons playing basketball with his neighbor friend, and even Louis thinks Jessica has taken it a little too far.  The episode ends with Jessica lightening up and Louis playing basketball with all three of his sons, and even though Eddie’s friend later joins them, Eddie realizes he’s happy with just his family.  His whole world has changed, but his family has his back, no matter how crazy they drive him.  The show uses this episode to prove that family love manifests itself in different ways, even if it’s as overbearing as Chinese Learning Center at home.  No matter how much his life changes, Eddie always has his family.

C’mon, admit it…deep down, y’all love each other.

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