female – English 1102: Television and Feminism

Tag: female

The Bigger Female Picture

On November 5, 2018

After watching through most of the first season of Orange is the New Black so far, it’s safe to say there is a very diverse and intriguing representation of genders and how they clash with other categories such as sexuality and disabilities. The show starts off with Piper and her fiance, Larry. This show is mostly dominated by female characters, as the only male characters introduced in the show are Larry, the prison guards, and the alpha prison watcher. There are only two genders represented on the show being male and female, and no others present. As a result of so many female characters on the show, there is a wide variety of global categories distributed between.

For the male characters, they tend to all act dominant and controlling. Larry expects Piper to go into prison and come out bruise-free. He planned on marrying Piper originally, and didn’t realize that Piper would be faced with so many obstacles. Larry thought it was not fair for him, so he ended the relationship temporarily with Piper because of her struggles. With the prison guards like Porn-stache, they are all attempting to be alpha and controlling all of the inmates to do whatever they please. Most of the officers are especially rude and do not bother with treating the inmates with any sense of respect. All of them are heterosexual and act like typical gender stereotyped males.

For the female characters, they take on a wide spectrum of personalities and attitudes. Every female prison inmate has differing characteristics, whether it’s the way they act, their orientation, or upbringing. Most of the females in the prison are heterosexual and come from a significant other before going into jail. However, there are a select few that are homosexual, and several that have mental disabilities. It’s interesting to see the culture of religions, orientation, races, and attitudes clashed in the same department and how the inmates interact/react to each other’s actions. Overall, the situation of Piper and the obstacles she has to face encountering new environments every day makes the show constantly fun to watch.

Larry and Piper before Piper leaves for prison.

Killjoys – Revolutionizing Gender Norms on Television

By Man Wo Lui

On October 16, 2018

In Review Topic 5

By now you should have now realised KillJoys is known for having a female show creator, and it shouldn’t surprise you the way women are portrayed in KillJoys is unlike most other TV Shows.

Female show-creators, although aren’t rare, isn’t common either. KillJoys is exceptional because it has a female creator who truly had her own say, allowing the adoption and portrayal of characters which is unlike most popular TV shows. Female characters in the show consist of a wild spectrum, from the lead protagonist and hero such as Dutch to the antagonist and extremely evil characters such as Delle and Aneela. Although all the female characters may have varying motives, they can all be called a hero as each of them undoubtedly had their own heroic moments. Even the most nefarious female villain in the show, who have unquestionably committed unspeakable crimes, are presented their other side of their sense of inarguable rightness and greater motive, which manages to win over the audience’s sympathy and admiration over the long run.

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Delle Seyah Kendry in Killjoys

Just as female villains aren’t necessarily manipulative like how they are often portrayed in popular culture, a protagonist is neither always heroic or selfless. Dutch as a prime example has often veered off to her self-desires during missions, most notably trying he save her “mentor” regardless of knowing the crime he had committed. On the other hand, Dutch’s background is also gradually revealed during season 2 – turns out she was from a wealthy family. From Dutch’s perspective, here background is full of sorrows, although this was questioned in season 3 when alternatives of Dutch’s background events were revealed. Afterall just like the villains maybe Dutch was trying to gain sympathy.

But then when you add the questionable acts of “The Company ” and Killjoys and the story mostly told from Dutch’s perspective, who knows who’s the actual villain of the Quad.

Nonetheless, the portrayal of Dutch as the captain of the team and the ship, while seemingly holding a monopoly over power allow females to reach a new height within popular TV culture. This also defies the social norms TV shows have always been engraining us with. Dutch is a fighter, an assassin, a killer and a strategist; something females wouldn’t have been portrayed as in TV just a decade before. At the same time, Dutch doesn’t lead a team of female fighters. Instead, both of her team members – John and D’avin – are both men. Dutch as a female dominates men, reversing the stereotype of males being dominant over women. The character of Dutch on television definitely revolutionize popular culture while its appeal towards the audience and the success it has achieved speaks for the gender imbalance in television women have always been enduring.

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Dutch leading the charge in season 1 episode 4

Killjoys have certainly made a great stride forward in how females are portrayed in television shows. However, apart from how women are portrayed, KillJoys have also made a breakthrough in season 3 – the cast of a large number of disabled actors. Read more about it here.

The “Personality” of Annmarie Morais’ KillJoys Episode

By Man Wo Lui

On September 25, 2018

In Review Topic 2

Throughout season 1 and 2, the different episodes of KillJoys were written and directed by various people. Although the central theme and storyline remain constant within season 1, if we look hard enough the “personality” of each episode can often be found here or there.

Today, I’ll be writing about the “personality” – writing aspect of one of the episodes in KillJoys, S1 E6, “One Blood”. Without a doubt, this is one of the episodes I believe to be the most interesting to analyse.

Written by Annmarie Morais, directed by Michael Nankin, the episode “One Blood” first aired on July 24, 2015, follows Dutch and her teams’ journey as they respond to a Black Warrant for a rogue Killjoy – Big Joe, who was wanted for stealing from company ships. It was later revealed that he had stolen a genetic bomb (although it is believed that he did not know what it is). After overcoming various obstacles, and revealing reasons, Dutch and her team finally finds Big Joe who in the end was voluntarily killed.

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Big Joe After Being Found By Dutch

To understand how and why a television show is written in a particular way, it is essential for us to understand the lead writer’s background. The writer of our episode, Annmarie Morais was born in Jamaica in 1973 to a Jamaican-Canadian family. Annmarie Morais works as both a writer and producer and have won the Nicholl Fellowship in Screenwriting in 1999. She is well-known for her involvement in hit TV shows such as Killjoys (2015), How She Move (2007) and Haven (2010). From a quick look at her profile, we can easily notice Annmarie Morais has been involving greatly in television shows featuring a “strong” and inspiring female lead character.

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Annmarie Morais

Annmarie Morais’ involvement in Killjoys and her leading role in episode 6, which we are focusing on, certainly brought in her style with her. This can be seen in the episode through how Dutch faced one obstacle after another; first disagreements within the team, then finding out her target is her respected mentor, afterwards getting abducted, but still staying strong and assertive throughout. This is pretty much unlike the other episodes by different writers where Dutch would often fall back a bit and have her team take over the lead such as that of “Sugar Point Run”. Furthermore, the whole episode is written with Dutch as the centre of focus throughout while for other episodes it’s usually an equal split between Dutch and her teammates. Moreover, the discussions between characters in also considerably more dominated by Dutch in this particular episodes, especially when she holds the monopoly over the decision making.

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Dutch and Her Team

Although Annmarie Morais is not known as feminist, her toughness and strong female character have indeed leaked into her writing, making her episode of Killjoys filled with its own kind of unique personality, just like her other television works. However, how much of this is due to Annmarie Morais’ influence and how much is from the writing team as a whole is certainly debatable.

New Girl: Are Men Too Competitive?

By Matthias Heyrman

On September 25, 2018

In Review Topic 5

New Girl is a show based on the experience of an awkward girl moving into an apartment with 3 guys. As a result, we the audience get to see exaggerations of the amazing (-ly awkward and hilarious) differences between the boys and the girls. This is especially emphasised in Season 1 Episode 7 of New Girl “Bells” when the writers show off the more petty and competitive sides of Nick, Schmidt, and Winston, contrasting this to the more gentle and accepting femininity of Jess.

The episode starts off normal and progresses until the main conflicts happen in two different plot lines between Nick and Schmidt, and Winston and Jess, allowing us to look at just how male competition plays out. This begins with Schmidt and Nick arguing over fixing a completely broken toilet, as Schmidt complains about Nick’s jerry-rigged solution involving a water bottle and needing to turn the faucet on before flushing. Schmidt just hires a plumber. Schmidt’s display of wealth over Nick’s handyman attitude bothers Nick, and the two begin a war that involves Nick refusing to use anything that Schmidt bought, while also breaking everything that he fixed for Schmidt (a basketball hoop that Schmidt tries to dunk on comes to mind). Schmidt in response does not let Nick use any of the objects that he bought such as the freezer, couch, conditioner, or carpet. This leaves them into something of a class dispute of how wealth allows people to ignore their problems with money.

Nick Unfixed the Basketball Hoop Se1Ep7

This strange competition is compared then to Jess who has to deal with Winston, to whom competition comes naturally to the point that even Schmidt and Nick ignore their disputes to tell Jess of how competitive Winston gets, specifically with his natural talent at… Everything (man I wish I had that at GT). Unlike the competition between Nick and Schmidt, which escalates until they start a physical fight and have a bro-moment with some beers and agree that they were being stupid, Jess simply confronts Winston about his competitive attitude, rather than trying to out-do him at every turn. This difference points out a clear distinction that the show makes between how men and women deal with competition.

Jess is showed to be rational (despite her goofy character) and simply addresses the problem. She determines that it would be better to just confront Winston about his competitive attitude and ask him to relax, solving the issue. On the other hand, Nick and Schmidt seem to do everything in their power to keep the competition going until one gives up (which would never happen), pointing out the irrational and ridiculous nature of arguments and competition that men seem to have for no other reason than because. In the end, this episode criticises a stereotype of male competitiveness taken to the extreme, and uses Jess, the outlier of the group in the apartment, to remind the audience that sometimes the rational approach is also the best one.

Female Representation in the News or Lack Thereof

By Jadah Peters

On September 17, 2018

In Annotated Bibliography

Cochran, B. (2011). WOMEN’S ROLE IN MEDIA: BUILDING TOWARD AN EQUITABLE FUTURE. Medijske Studije = Media Studies, 2(3), 94-99. Retrieved from http://prx.library.gatech.edu/login?url=https://search.proquest.com/docview/1954227223?accountid=11107

Cochran celebrates the progress that women have made in the media but also stresses the need for improvement for women in media on both the national and international stage. She gathers statistics and presents them in order to support these claims of progress and necessity for improvement. The value of this article lies in its concentration on the advancement of women in the media through showcasing examples of fair representation of women in the media Additionally, the presentation of precise paths through which women can advance their role within the news as well as ways the companies should be facilitating this growth is very worthwhile. Although this source does not contain a specific study, it contains firsthand accounts of Cochran’s experience of being part of the International Women’s Media Foundation from the beginning which has likely expanded her viewpoint and enabled her to give insight into the media’s representation of women in other countries which enriches the conversation of media coverage in the United States through facilitating comparisons between the two.

Desmond, R., & Danilewicz, A. (2010). Women are on, but not in, the news: Gender roles in local television news. Sex Roles, 62(11-12), 822-829. doi:http://dx.doi.org/10.1007/s11199-009-9686-5

This source aims to reveal gender bias in terms of who gets what type of stories, who gets lead stories, and who gets cited as expert sources. Desmond and Danilewicz hypothesized that in all of these aspects women would get the short stick. This source is arguably the best out of these six sources for several reasons. Desmond and Danilewicz convey the importance and implications of their study for young women: if young women only see women presenting certain types of stories, it will affirm gender roles and possibly limit these female viewers’ idea of what they are capable of. The source goes to great depth to draw comparisons between their research and past studies as well as bringing in both statistical and personable details to further ground their research in. In addition to an in depth description of the methodology, the study’s results are explained very clearly, and any hypothesis not completely supported is readily rejected. The study’s results express that female and male anchors and reporters are equally represented in terms of their numbers, but females are pigeon-holed into almost exclusively reporting stories about health and human interest whereas men get the meatier, tougher topics like politics. Additionally, male experts are more likely to be cited than females. This is a highly efficient source for depicting both the successes and failures of gender representation in local television news.

Engstrom, Erika, and Anthony J. Ferri. “From Barriers to Challenges: Career Perceptions of Women TV News Anchors.” Journalism and Mass Communication Quarterly, vol. 75, no. 4, 1998, pp. 789-802. ProQuest, http://prx.library.gatech.edu/login?url=https://search.proquest.com/docview/216926995?accountid=11107.

Engstrom and Ferri focus on discerning what local female anchors identify as their greatest career barriers based on a well-developed survey that received 128 responses. The article also compares the results of this 1990s survey to a similar survey conducted in the previous decade. Engstrom and Ferri conclude that the main obstacle females anchors face within their careers is the focus on their physical experience as well as the difficultly of balancing work and family life. This peer-reviewed source is valuable because it goes into great depth to establish the history of female news anchors and what they struggled with in order to compare that with what current female anchors face. The article meticulously explais how the survey was constructed and affirms that the survey was conducted by random sampling. Additionally, the authors are very transparent in pointing out that the results cannot necessarily be generalized to the larger population due to its small sample size. Despite the small sample size, the article is beneficial in the way that it presents both the assenters and dissenters viewpoints equally, and the personal quotes given even if just anecdotal, give life and insight to how real women feel about gender representation and equality (or lack thereof) in their industry.

Grubb, M. V., & Billiot, T. (2010). Women sportscasters: Navigating a masculine domain. Journal of Gender Studies, 19(1), 87-93. doi:http://dx.doi.org/10.1080/09589230903525460

This article is an assemblage of quotes and stories from a collection of interviews in order to expose the harsh, unwelcoming environment that female sportscasters much traverse in order to be a part of the field. This exposure is supposed to serve as a call to action to change the culture surrounding sports and the treatment of women. The article briefly accounts the tales of the groundbreaking women who first made a space for women in sportscasting. The value of this study cannot be found in statistics or an in-depth experiment; it is found instead in the worth of personal and genuine accounts of female sportscasters vocalizing the struggles, the mistreatment, the injustice they face on a daily basis. Because of its lack of concrete facts, this source cannot stand alone, but it definitely has the potential to be a powerful piece when paired with statistical data that proves the lack of representation of females in this industry along with a wide-spread analysis of how women sportscasters feel about their jobs. In other words, due to its anecdotal nature, all the points made in the source cannot necessarily be generalized to the entire industry, but it can make for a great supplemental piece and possibly provide a face for the facts.

Mudrick, M., Burton, L. J., Sauder, M. H., & Lin, C. A. (2018). Sportscasting success: Varying standards may apply. Journal of Sports Media, 13(1), 49-73. Retrieved from http://prx.library.gatech.edu/login?url=https://search.proquest.com/docview/2056814931?accountid=11107

The argument of this article is that female sportscasters face double-standards and are limited by gender roles that influence the audience’s perception of them. The article supports its claim by citing examples of the social role theory and then expounding on how these persistent gender roles and stereotyping specifically affect female sportscasters. The value of this article is not so much found in the actual study it conducts (analyzing comments made during a sports debate between a female and male broadcaster), but more so in its explanation of gender roles and its analysis of how they shape the way audiences think. However, one very beneficial element of the study is how it illustrates the way that viewers will comment that a man is more knowledgeable without having any examples to support that assumption. Some commentators explicitly say they find men more trustworthy in this realm which all just goes to exemplify the stagnant presence of gender typing in society. This article does well at specifying the lack of women represented in sports media along with their unique struggles. Within the article, the limitations of the study are acknowledged which strengthens its sense of reliability.

Price, C. J., & Wulff, S. S. (2005). Does sex make a difference? job satisfaction of television network news correspondents. Women’s Studies in Communication, 28(2), 207-234. Retrieved from http://prx.library.gatech.edu/login?url=https://search.proquest.com/docview/198297768?accountid=11107

The article makes a subdued argument of the need for “improvement of women’s roles in network television” through its quantification of the differences between job satisfaction of males and females in network television. After measurements based on several different factors (age, salary, amount of experience), the article concludes that overall women are less satisfied than men with their jobs. Despite looking for differences between males and females, the article speaks to the fact that on many aspects of the survey women and men have very similar responses. The value of this article can be found in its extensive detail of the history of the dynamic between men and women in national news networks, its multitude of references to other studies and analyses to bolster its own findings, and the statistical presentation of the data. This article is a great supplement to Engstrom and Ferri’s article because it can better highlight the significant differences between sexes in the workplace due to its comparison of both male and female responses. Although this article provides a bountiful amount of statistical data along with some qualitative material, gender representation seems to only play a minor portion.

Fresh Off a Netflix Binge

By Bailey Moore

On September 4, 2018

In Intro Post

Hey, y’all! My name is Bailey Moore and I’m from Norcross, GA. I’m a first- year BME student here at GT with a Spanish minor and an anticipated graduation date of 2022 (probably, hopefully, maybe in December #relatable ).

me, still shook that we get to call enjoying TV homework

I was in the IB Diploma Programme in high school which meant a LOT of writing and speeches and more writing. This is my first English course at Tech, so I’m enjoying a little bit of a twist to the old monotonous English classes I dreaded in high school. Can you tell I’m a STEM major? I do, however, enjoy making infographics and doing oral presentations, especially creative ones rather than the long literary analysis speeches I’m used to because I feel interested and engaged myself when I use those methods of communication and I feel that the comfort and confidence of the communicator has a large effect on how the message is communicated. I struggle with nonverbal communication mainly because I haven’t practiced it or really looked into its significance. I am hoping to improve my nonverbal and electronic communication this semester, especially with infographics, body language, and voice tone, because I feel that they could contribute to making me appear more put- together and knowledgeable than I may be.

In reference to the course theme, I have a ton of experience with both TV and Feminism. I watch Netflix more than I’d like to admit and I even have a tattoo on my wrist of the equal sign which I got after the Women’s March here in ATL, but I haven’t previously combined these two passions, so I’m excited to see what the course has to offer. I also tend to watch the same types of shows when I watch. For leisure, I watch laid- back adult comedies like Modern Family, Bob’s Burgers, and The Big Bang Theory, and for Netflix binges, I go for thrilling dramas like Bloodline, Sherlock, and Stranger Things. I hope that this course will show me new types of shows and let me expand my thinking about TV and how it can reflect our culture as an art form.

I guess you could say I’m kinda an expert. heh. (10 points if you understand why I chose Emma Watson for this)

For this semester, I have chosen to review Fresh Off the Boat because I like that it shines a light on immigrants in America and I want to widen my scope of TV viewing to include a wider range of characters. It is about a first- generation Asian- American teenager who is uprooted from Chinatown DC to suburban Orlando with his family as his father chases the American Dream. Although the show is humorous, I also think that immigration is a huge topic in our political climate right now and I’m interested to see what opinion this show will argue. With that said, let’s get binging!!

me, in the car, constantly irritating my friends by singing loudly and not well

English 1102: Television and Feminism

Dr. Casey Alane Wilson • Georgia Institute of Technology